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Algebra Painting

Chelsey Mulnix

United States

Painting, Acrylic on Paper

Size: 36 W x 36 H x 0.1 D in

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SOLD
Originally listed for $795

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ABOUT THE ARTWORK

This work is largely experimental as I move more and more toward expressionistic painting methods. Specifically, this piece is a hybrid print/paint technique in which I have applied the paint with various sized brayers and rolling pins. I find this physical act a more honest way of making work. The immediacy and uncertainty of how marks manifest, feeling and forming the composition as one works very much demands commitment from the mark maker. This is somewhat, though not completely, at odds with more representational works where compositions are usually planned or roughed out before a piece is started on.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Paper

Original:

One-of-a-kind Artwork

Size:

36 W x 36 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an innately curious observer of life trying my best to understand my own nature. Art has been a tool for the exploration of self and other since childhood and continues to be an aid in making sense of my world. Even during periods of inactivity in the 'art' world (gallery showings, etc.), my mind and hands find ways to construct and deconstruct, to arrange and create and adjust. This is in me, and defines how I navigate life. I am interested in the fallibility of memory, manipulations, duality, construction, fluidity, collage, materials, isolation and voyeuristic tendencies. My work recognizes memory, even experience, as fiction and attempts to expose fluctuations between the real and the imagined. Reevaluation of absolutism is a necessity. Recently, process and materials have become a focal point for me, an outlet to immediacy and in some ways, an expression of greater authenticity. These works are an exploration of a visceral, more base nature: physicality, intuition, sensuality....often, the other side of intellect and introspection as raw curiosity. The work involves the use of several visual languages that both compete and connect with one another. My use of materials ranging from textiles, paint, text, and audio/film elements constructs a forum to explore larger themes with innate curiosity and fluid speech. These languages hold meaning in themselves and lend to the larger narrative of each piece which is not intended to be defined. I am the strangest stranger I know.

Artist Recognition
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