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Aniball was inspired by anatomical illustration posters.  I use familiar objects within contemporary art, from the 'Duchampian' notion of the ready-mades. Ready-mades are utilised by heavy weight contemporary artists. I like to use these themes with the medium of paint, as obsessively working to recreate realism in another form, automatically becomes self-contradictory to the very thought of a ‘ready-made’. I am interested in the idea of manmade objects having movement and a life with the absence of man and the logical physical display of a 3D sculpture. So that animals, objects, themes and clichés exist in the same aesthetic in a surrealistic world made up of ironic naturalness.
Aniball was inspired by anatomical illustration posters.  I use familiar objects within contemporary art, from the 'Duchampian' notion of the ready-mades. Ready-mades are utilised by heavy weight contemporary artists. I like to use these themes with the medium of paint, as obsessively working to recreate realism in another form, automatically becomes self-contradictory to the very thought of a ‘ready-made’. I am interested in the idea of manmade objects having movement and a life with the absence of man and the logical physical display of a 3D sculpture. So that animals, objects, themes and clichés exist in the same aesthetic in a surrealistic world made up of ironic naturalness.
Aniball was inspired by anatomical illustration posters.  I use familiar objects within contemporary art, from the 'Duchampian' notion of the ready-mades. Ready-mades are utilised by heavy weight contemporary artists. I like to use these themes with the medium of paint, as obsessively working to recreate realism in another form, automatically becomes self-contradictory to the very thought of a ‘ready-made’. I am interested in the idea of manmade objects having movement and a life with the absence of man and the logical physical display of a 3D sculpture. So that animals, objects, themes and clichés exist in the same aesthetic in a surrealistic world made up of ironic naturalness.
Aniball was inspired by anatomical illustration posters.  I use familiar objects within contemporary art, from the 'Duchampian' notion of the ready-mades. Ready-mades are utilised by heavy weight contemporary artists. I like to use these themes with the medium of paint, as obsessively working to recreate realism in another form, automatically becomes self-contradictory to the very thought of a ‘ready-made’. I am interested in the idea of manmade objects having movement and a life with the absence of man and the logical physical display of a 3D sculpture. So that animals, objects, themes and clichés exist in the same aesthetic in a surrealistic world made up of ironic naturalness.
Aniball (detail)
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Aniball Painting

Joshua Daniels

United Kingdom

Painting, Acrylic on Canvas

Size: 23.6 W x 35.4 H x 1.5 D in

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About The Artwork

Aniball was inspired by anatomical illustration posters. I use familiar objects within contemporary art, from the 'Duchampian' notion of the ready-mades. Ready-mades are utilised by heavy weight contemporary artists. I like to use these themes with the medium of paint, as obsessively working to recreate realism in another form, automatically becomes self-contradictory to the very thought of a ‘ready-made’. I am interested in the idea of manmade objects having movement and a life with the absence of man and the logical physical display of a 3D sculpture. So that animals, objects, themes and clichés exist in the same aesthetic in a surrealistic world made up of ironic naturalness.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 35.4 H x 1.5 D in

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Joshua Daniels (b. 1991, UK) joshuadaniels@hotmail.co.uk Joshuadaniels.co.uk http://instagram.com/joshuadanielsart

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