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Another point of view Painting

Dusa Jesih

Slovenia

Painting, Acrylic on Canvas

Size: 78.7 W x 78.7 H x 1.6 D in

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Originally listed for $10,120

1887 Views

59

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ABOUT THE ARTWORK

"Another point of view" is painting - polyptych - acrylic on canvas, part of cycle of paintings, named "Penta(n)gram. Duša Jesih: The concept of project titled Penta(n)gram is conceptually based on the five-pointed red star. The work bears the title United we stand, divided we fall / Cosmic process – utopian tendencies towards universal harmony, and is centred around the above-mentioned symbol. Each of the elements – by fulfilling its function and in correlation with others – performs in the spirit of solidarity and contributes to a complete picture. The origin of the recycled material invokes the Fordist production, or rather man’s integration into social processes and various systems. The work of art could therefore be interpreted as a way of questioning the freedom of everyman, but I found grounds for the quest for micro/macro cosmos in the five-pointed red star in Jung’s “collective unconscious”. The star – by definition a luminous sphere of plasma, but in everyday conversation about the universe often standing for other celestial bodies – is a universal symbol. Today, it is inevitably equated with Communism – which among other things exploited the cosmos to assert its supremacy – but with my work, which allows establishment of new relations between the triangles, I would primarily like to make visible the multiple meaningful layers of this ancient symbol embraced by many cultures and religions. The mystic traditions of Middle Eastern religions used the five-pointed star to represent the idea of the sacred being contained in the earthly human, Pythagoras established it as a supreme mystical symbol, in ancient times it was the symbol for Venus and Aphrodite, in the Middle Ages it was used in magic to fight evil and break spells, alchemists considered it the quintessence, and today the star is the most frequent symbol in national flags. Despite the seemingly strict conceptual matrix and ideological burden accumulated over the last century, the work of art – by utilising the tangram technique, which is considered by some psychologists to be the oldest psychological test – enters into dialogue with the viewer and provides an opportunity for new solutions in terms of composition and perception, thus loosening the symbol’s apparent single meaning. The five-pointed red star is therefore the symbol which throughout history has been shared, owned and adapted by many.

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

78.7 W x 78.7 H x 1.6 D in

Number of Panels:

2

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The presentation of a painter, whose works hold a critical view of the social, cultural and political spheres of our existence, but in a little less conventional (fashionable) way for the present times. The goal of my art is to provide a critical overview of our social, cultural and political spheres in a slightly unconventional (trendy) manner. I am more interested in self-reflection on the phenomenon of alienation I am witnessing as it goes (contradictorily) hand in hand with globalisation rather than focused on any political engagement. I feel like sheer existence is draining our last bits of energy in these crazy times. We are straining ourselves with precarious work, fighting for our dear life and in the process forgetting about ourselves and our interpersonal relations. To live in unity and harmony, peace and love now seems an outdated and illusionary hippie idea that is so far from reality. I am trying to face this experience and internalise through the leitmotif of my last cycle of paintings called Unity. Using "as little words as possible" in minimalist "gestalt" language that allows for some artistic expression and space for the world of each individual, I am trying to transform unity into a hybrid of a warning (traffic) sign and icon "logo(therapeutic) type". Although I follow the principle of "spot, line, surface in space" and focus on the basic elements of fine art, I tend to use colour, shape and composition to explore tensions in relationships between colours on the canvas as well as optical effects of more or less discernible forms. My goal is to bring to the fore the foundations of meanings, emotions or narratives. My paintings feature similar visual signs that form new conceptual units in space, i.e. Gesamtkunstwerk, that open up new perspectives and encourage dialogue. My view of the final part revolves around a (harmonious) attitude towards space, possibly a very clear and brutal concrete area in all the seriousness of "beauty in silence". Dusa Jesih, "Unity" / ­ Between the Lines, 2015 DUSA JESIH, short bio Dusa Jesih was born on 16 January 1977 in Ljubljana. In 1996, she completed the Secondary School for Design and Photography in Ljubljana, specialising in graphic design. She obtained her BA in painting at the College of Visual arts in Ljubljana where she also completed her specialisation in painting three years later. In the period 2006–2007, Jesih attended specialisation courses at the Cité Internationale des Arts in Paris.

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Featured in the Catalog

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Artist featured in a collection

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