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Continuing with the series "Aperceptions", William shows us another of his creative phases with the use of dripping techniques with acrylic paint and the use of fkexography, always keeping the theme of that subjective reality that we can all understand from the subconscious, the  apperceptions, an interesting universe of images associated with the projections that we make of this class of figures and spots as a result of fkexography and that have their beginning since Rorschach used them for his patients.  In this piece, William shows us an image of a figure holding strange shapes in each arm, which we can interpret from different perspectives, unless in turn we are also influenced by the recognized fas of man, Jesus the one of the  Bible?

Video links:

https://youtube.com/watch?feature=youtu.be&v=o3V1Xcxkn-g

https://youtube.com/watch?feature=youtu.be&v=12FTsSUOycI
Continuing with the series "Aperceptions", William shows us another of his creative phases with the use of dripping techniques with acrylic paint and the use of fkexography, always keeping the theme of that subjective reality that we can all understand from the subconscious, the  apperceptions, an interesting universe of images associated with the projections that we make of this class of figures and spots as a result of fkexography and that have their beginning since Rorschach used them for his patients.  In this piece, William shows us an image of a figure holding strange shapes in each arm, which we can interpret from different perspectives, unless in turn we are also influenced by the recognized fas of man, Jesus the one of the  Bible?

Video links:

https://youtube.com/watch?feature=youtu.be&v=o3V1Xcxkn-g

https://youtube.com/watch?feature=youtu.be&v=12FTsSUOycI
Continuing with the series "Aperceptions", William shows us another of his creative phases with the use of dripping techniques with acrylic paint and the use of fkexography, always keeping the theme of that subjective reality that we can all understand from the subconscious, the  apperceptions, an interesting universe of images associated with the projections that we make of this class of figures and spots as a result of fkexography and that have their beginning since Rorschach used them for his patients.  In this piece, William shows us an image of a figure holding strange shapes in each arm, which we can interpret from different perspectives, unless in turn we are also influenced by the recognized fas of man, Jesus the one of the  Bible?

Video links:

https://youtube.com/watch?feature=youtu.be&v=o3V1Xcxkn-g

https://youtube.com/watch?feature=youtu.be&v=12FTsSUOycI
Continuing with the series "Aperceptions", William shows us another of his creative phases with the use of dripping techniques with acrylic paint and the use of fkexography, always keeping the theme of that subjective reality that we can all understand from the subconscious, the  apperceptions, an interesting universe of images associated with the projections that we make of this class of figures and spots as a result of fkexography and that have their beginning since Rorschach used them for his patients.  In this piece, William shows us an image of a figure holding strange shapes in each arm, which we can interpret from different perspectives, unless in turn we are also influenced by the recognized fas of man, Jesus the one of the  Bible?

Video links:

https://youtube.com/watch?feature=youtu.be&v=o3V1Xcxkn-g

https://youtube.com/watch?feature=youtu.be&v=12FTsSUOycI
Continuing with the series "Aperceptions", William shows us another of his creative phases with the use of dripping techniques with acrylic paint and the use of fkexography, always keeping the theme of that subjective reality that we can all understand from the subconscious, the  apperceptions, an interesting universe of images associated with the projections that we make of this class of figures and spots as a result of fkexography and that have their beginning since Rorschach used them for his patients.  In this piece, William shows us an image of a figure holding strange shapes in each arm, which we can interpret from different perspectives, unless in turn we are also influenced by the recognized fas of man, Jesus the one of the  Bible?

Video links:

https://youtube.com/watch?feature=youtu.be&v=o3V1Xcxkn-g

https://youtube.com/watch?feature=youtu.be&v=12FTsSUOycI

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View In My Room

Apperception #50 Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Acrylic on Canvas

Size: 45.3 W x 68.9 H x 0.2 D in

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$2,160

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ABOUT THE ARTWORK

During 2020, William wanted to express his emotions during his confinement due to covid19. This is one of the particularly introspective results of the artist in his series "Apercepciones", based on abstract images that he makes through the technique of drip flexography and superposition of the support on canvas, the same technique used but on paper, by Hermand Rorschach , in his famous test. Here stands an iconic figure reminiscent of Christ, holding in both arms what could be pathogens (viruses). The artist invites us to reflect on the world of causes of this disease that we do not know today. He makes us question and proposes an intriguing possible ruse, between the divine agent (Christ) and the natural agent (viruses). Would you like to obtain an artwork that speaks to a cause recreated from this contemporary world drama? We particularly think that this amazing work could fill all that expectation in his art collection, because it sows a unique proposal, as well as questionable, but exciting and mysterious at the same time.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

45.3 W x 68.9 H x 0.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

William Marquina was born in Merida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in a Sunday outdoor painting workshop. After graduating in visual arts at the University of Los Andes, he studied for a master’s degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts teacher at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works. William’s production has been experimentally versatile and challenges us with series characterized by the desire to seek, study and complement the archaic and the contemporary. Among his series are: Brillo, Copia Picasso, Copia Matisse, Copia Da Vinci and Apercepciones. In the latter, he highlights in painting, the subjective complexity in the world of perceptions. He has been exhibiting his recent works in the city of Quito: “What do you see?” at the Humboldt Association (2024); a collective exhibition at the AQ Arte Feria de Quito (2024). In 2023 his retrospective “Imbrications in Painting”; in 2021 International Painting Exhibition at the Casal Català Quito and in 2019 “Exhibition of Ecuadorian Painting” at the Quito City Hall. Other important individual exhibitions but in Venezuela were: in 2012 “Cartographies of the Terrestrial and the Transterráneo”; in 2017 “Care. Path and Limit”, and in 2007 “Essences”. Awarded the First Prize for Arts for University Students, in 2001.

Artist Recognition
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