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Painting, Acrylic on Canvas
Size: 45.3 W x 68.9 H x 0.2 D in
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90 Views
2
Artist featured in a collection
During 2020, William wanted to express his emotions during his confinement due to covid19. This is one of the particularly introspective results of the artist in his series "Apercepciones", based on abstract images that he makes through the technique of drip flexography and superposition of the support on canvas, the same technique used but on paper, by Hermand Rorschach , in his famous test. Here stands an iconic figure reminiscent of Christ, holding in both arms what could be pathogens (viruses). The artist invites us to reflect on the world of causes of this disease that we do not know today. He makes us question and proposes an intriguing possible ruse, between the divine agent (Christ) and the natural agent (viruses). Would you like to obtain an artwork that speaks to a cause recreated from this contemporary world drama? We particularly think that this amazing work could fill all that expectation in his art collection, because it sows a unique proposal, as well as questionable, but exciting and mysterious at the same time.
2020
Acrylic on Canvas
One-of-a-kind Artwork
45.3 W x 68.9 H x 0.2 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Venezuela.
Shipments from Venezuela may experience delays due to country's regulations for exporting valuable artworks.
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William Marquina was born in Merida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in a Sunday outdoor painting workshop. After graduating in visual arts at the University of Los Andes, he studied for a master’s degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts teacher at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works. William’s production has been experimentally versatile and challenges us with series characterized by the desire to seek, study and complement the archaic and the contemporary. Among his series are: Brillo, Copia Picasso, Copia Matisse, Copia Da Vinci and Apercepciones. In the latter, he highlights in painting, the subjective complexity in the world of perceptions. He has been exhibiting his recent works in the city of Quito: “What do you see?” at the Humboldt Association (2024); a collective exhibition at the AQ Arte Feria de Quito (2024). In 2023 his retrospective “Imbrications in Painting”; in 2021 International Painting Exhibition at the Casal Català Quito and in 2019 “Exhibition of Ecuadorian Painting” at the Quito City Hall. Other important individual exhibitions but in Venezuela were: in 2012 “Cartographies of the Terrestrial and the Transterráneo”; in 2017 “Care. Path and Limit”, and in 2007 “Essences”. Awarded the First Prize for Arts for University Students, in 2001.
Artist featured by Saatchi Art in a collection
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