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I like this picture a lot. It as if goes back through times into prehistoric period amd looks as if it's from that time. It's the first time I've used bee-wax and oil paints. It's evenly covered with structural varnish PF-110, which added pearl shade to the picture. There is hardly any unpleasant smell, and it will disappear completely with time (know it from experience with similar pictures). This varnish has a tendency to yellowing, but not too noticeable. For some time the picture will continue creating itself on your wall, yellowing the contrast palette and making the picture look ancient. But - again - not TOO yellow. I cherish this picture as it is a result of a complex experiment conducted for the first time and not known from other painters. There is much more about the technique that I haven't mentioned.
I like this picture a lot. It as if goes back through times into prehistoric period amd looks as if it's from that time. It's the first time I've used bee-wax and oil paints. It's evenly covered with structural varnish PF-110, which added pearl shade to the picture. There is hardly any unpleasant smell, and it will disappear completely with time (know it from experience with similar pictures). This varnish has a tendency to yellowing, but not too noticeable. For some time the picture will continue creating itself on your wall, yellowing the contrast palette and making the picture look ancient. But - again - not TOO yellow. I cherish this picture as it is a result of a complex experiment conducted for the first time and not known from other painters. There is much more about the technique that I haven't mentioned.
I like this picture a lot. It as if goes back through times into prehistoric period amd looks as if it's from that time. It's the first time I've used bee-wax and oil paints. It's evenly covered with structural varnish PF-110, which added pearl shade to the picture. There is hardly any unpleasant smell, and it will disappear completely with time (know it from experience with similar pictures). This varnish has a tendency to yellowing, but not too noticeable. For some time the picture will continue creating itself on your wall, yellowing the contrast palette and making the picture look ancient. But - again - not TOO yellow. I cherish this picture as it is a result of a complex experiment conducted for the first time and not known from other painters. There is much more about the technique that I haven't mentioned.
I like this picture a lot. It as if goes back through times into prehistoric period amd looks as if it's from that time. It's the first time I've used bee-wax and oil paints. It's evenly covered with structural varnish PF-110, which added pearl shade to the picture. There is hardly any unpleasant smell, and it will disappear completely with time (know it from experience with similar pictures). This varnish has a tendency to yellowing, but not too noticeable. For some time the picture will continue creating itself on your wall, yellowing the contrast palette and making the picture look ancient. But - again - not TOO yellow. I cherish this picture as it is a result of a complex experiment conducted for the first time and not known from other painters. There is much more about the technique that I haven't mentioned.
I like this picture a lot. It as if goes back through times into prehistoric period amd looks as if it's from that time. It's the first time I've used bee-wax and oil paints. It's evenly covered with structural varnish PF-110, which added pearl shade to the picture. There is hardly any unpleasant smell, and it will disappear completely with time (know it from experience with similar pictures). This varnish has a tendency to yellowing, but not too noticeable. For some time the picture will continue creating itself on your wall, yellowing the contrast palette and making the picture look ancient. But - again - not TOO yellow. I cherish this picture as it is a result of a complex experiment conducted for the first time and not known from other painters. There is much more about the technique that I haven't mentioned.

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View In My Room

Archetype №4. Azoic Trinity Painting

Oleksandr Adariukov

Ukraine

Painting, Oil on Canvas

Size: 19.7 W x 27.6 H x 0.6 D in

Ships in a Box

SOLD
Originally listed for $380

265 Views

11

ABOUT THE ARTWORK

I like this picture a lot. It as if goes back through times into prehistoric period amd looks as if it's from that time. It's the first time I've used bee-wax and oil paints. It's evenly covered with structural varnish PF-110, which added pearl shade to the picture. There is hardly any unpleasant smell, and it will disappear completely with time (know it from experience with similar pictures). This varnish has a tendency to yellowing, but not too noticeable. For some time the picture will continue creating itself on your wall, yellowing the contrast palette and making the picture look ancient. But - again - not TOO yellow. I cherish this picture as it is a result of a complex experiment conducted for the first time and not known from other painters. There is much more about the technique that I haven't mentioned.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

19.7 W x 27.6 H x 0.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born May, 24, 1983 in Ukraine, at Donbass (East of Ukraine) in the family of a librarian and electrical engineer. In our family my father and grandfather were fond of painting, and maybe I inherited this love from them. My interest to painting was noticed quite early - in the pre-school and school time I was a proud owner of a nickname - 'a painter'. I believe that this 'image' fostered by my teachers and educators is quite questionable as I have always had problems with neatness and techniques of painting. However, I have never had problems with choosing what to paint. One classmate once said: 'You paint well, but carelessly'. I agree. I quickly lose interest in painting all the details, which jeopardizes both me and the picture. Expression as a technique comes natural to me. After finishing school I turned to painting several times, but systematically - only recently. I don't have art education. Despite many problems - difficult political, economic situation, and of course the war - painting hasn't become a less important hobby for me. With keen enthusiasm I keep on forming my own style and technique.

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