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Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, Epson UltraChrome Ink, and fabric (collage) on canvas

The basis of the artwork is an over-painted auction advertisement. Pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point. The color constantly challenges the viewer's eye through oxidization, their different facets, their shading, and the juxtaposition of different hues, and undertones. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surface becomes the subject matter of the painting. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments.
Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, Epson UltraChrome Ink, and fabric (collage) on canvas

The basis of the artwork is an over-painted auction advertisement. Pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point. The color constantly challenges the viewer's eye through oxidization, their different facets, their shading, and the juxtaposition of different hues, and undertones. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surface becomes the subject matter of the painting. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments.
Detail
Detail
Detail
3366 Views
60

VIEW IN MY ROOM

Institutional Critique Painting

Peter Vahlefeld

Germany

Painting, Acrylic on Canvas

Size: 53.1 W x 78.7 H x 2 D in

Ships in a Crate

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SOLD
Originally listed for $11,400
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3366 Views
60

Artist Recognition

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Featured in the Catalog

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Featured in Inside The Studio

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About The Artwork

Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, Epson UltraChrome Ink, and fabric (collage) on canvas The basis of the artwork is an over-painted auction advertisement. Pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point. The color constantly challenges the viewer's eye through oxidization, their different facets, their shading, and the juxtaposition of different hues, and undertones. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surface becomes the subject matter of the painting. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:53.1 W x 78.7 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Peter Vahlefeld's visceral artworks combine a rigorous, process-based practice, continually rethinking the possibilities of painting. Using references to a broad array of sources, including art history, literature, and pop culture, he creates paintings that alternate between flat experience and dimensionality. Perfectly poised between European and American traditions (Art Informel, Abstract Expressionism, Pop Art), his work combines complexity into a visual richness that is neither figurative nor abstract. The paintings unfold in an intricate, unpredictable interaction of layers and excess—a constant juggling of paint, prints, fabrics, mediums and effect. They draw their actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression. Peter Vahlefeld studied at Parsons School of Design, NYC (BFA) and currently lives in Berlin. He has participated in a variety of solo exhibitions, art fairs, and venues such as Neumeister Fine Art Auctioneers (Munich), and Sotheby's (Vienna). His work can be found in private and corporate collections throughout Europe, the United States, Asia, and India. Peter Vahlefeld was featured on the German television channel ZDF.

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Featured in the Catalog

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