view additional image 1
Cottonwood and willow groves along the rivers and arroyos in northern New Mexico create a lush environment in the high desert of the Colorado Plateau. 

Another  series of  watercolors working to achieve a minimalist feel. A fun way to bust loose and explore with watercolors using quick strokes with a Japanese writing brush on rough watercolor paper.  16" x 12" image size, 16" x 20" mat, ready to frame.
The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow.   As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site.

Open skies, storms coming in, sweeping vistas, mountains and grasslands all call for broad strokes and bold light and shadows.  I strive for an economy of color and execution that can bring a landscape to life.  If I can capture the shadows, forms, space at a given moment with the flow of line and color, then I can start to feel that I have succeeded.  Working in such a quick, expressive manner can be like playing a jazz riff, improvising with the moment.  I start with the basic composition, placing elements as needed, some planning on where I want light and shadow.  Then I throw away the sketch, the photograph, look away from the reality and let the paint, the brush and the water flow.
Cottonwood and willow groves along the rivers and arroyos in northern New Mexico create a lush environment in the high desert of the Colorado Plateau. 

Another  series of  watercolors working to achieve a minimalist feel. A fun way to bust loose and explore with watercolors using quick strokes with a Japanese writing brush on rough watercolor paper.  16" x 12" image size, 16" x 20" mat, ready to frame.
The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow.   As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site.

Open skies, storms coming in, sweeping vistas, mountains and grasslands all call for broad strokes and bold light and shadows.  I strive for an economy of color and execution that can bring a landscape to life.  If I can capture the shadows, forms, space at a given moment with the flow of line and color, then I can start to feel that I have succeeded.  Working in such a quick, expressive manner can be like playing a jazz riff, improvising with the moment.  I start with the basic composition, placing elements as needed, some planning on where I want light and shadow.  Then I throw away the sketch, the photograph, look away from the reality and let the paint, the brush and the water flow.

View In A Room

fullscreen

View Fullscreen

heart

Add to Favorites

Autumn Cottonwoods 2 - Original Watercolor Painting
View In My Room

VIEW IN MY ROOM

Autumn Cottonwoods 2 - Original Watercolor Painting Painting

Charles Ash

United States

Painting

Size: 16 W x 12 H x 0.1 D in

Ships in a Box

info-circle
This artwork is not for sale.
star-fullstar-fullstar-fullstar-fullstar-full Trustpilot Score

125

Views

4

Favorites

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Cottonwood and willow groves along the rivers and arroyos in northern New Mexico create a lush environment in the high desert of the Colorado Plateau. Another series of watercolors working to achieve a minimalist feel. A fun way to bust loose and explore with watercolors using quick strokes with a Japanese writing brush on rough watercolor paper. 16" x 12" image size, 16" x 20" mat, ready to frame. The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow. As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site. Open skies, storms coming in, sweeping vistas, mountains and grasslands all call for broad strokes and bold light and shadows. I strive for an economy of color and execution that can bring a landscape to life. If I can capture the shadows, forms, space at a given moment with the flow of line and color, then I can start to feel that I have succeeded. Working in such a quick, expressive manner can be like playing a jazz riff, improvising with the moment. I start with the basic composition, placing elements as needed, some planning on where I want light and shadow. Then I throw away the sketch, the photograph, look away from the reality and let the paint, the brush and the water flow.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:16 W x 12 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I love working quickly using a calligraphy brush on rough paper, going for the zen of the moment. I keep the colors pure while at the same time letting the paper do the work; looking for happy accidents that I can exploit. Many times I will take a scene and modify the composition to minimalize the basic elements to maintain a deceptively simple beauty. The subjects I choose to paint tend to have an interesting massing, a layering of elements and a quality of light and shadow. I am always looking for new views and experiences. As I travel, should I come across a striking scene I may simply take a picture for future reference, draw a quick sketch or paint on site. Many times I will remember scenes and sketch from memory while I have an idle moment. My work draws from the forms, colors and experiences of the desert Southwest; an enjoyment in the act of painting expressing a simpler, more casual approach to life. Open skies, storms coming in, sweeping vistas, mountains and grasslands all call for broad strokes and bold light and shadows. I strive for an economy of color and execution that can bring a landscape to life. These, I bring together with the Japanese aesthetic of "Bokusho", the art of abstract expressionism through the medium of Japanese calligraphy. While the forms are not intended to be 'writing' the expressive marks produced retain all the power and fluid grace that Shodo (Japanese Calligraphy) exhibits. If I can capture the shadows, forms, space at a given moment with the flow of line and color, then I can start to feel that I have succeeded. Working in such a quick, expressive manner can be like playing a jazz riff, improvising with the moment. I start with the basic composition, placing elements as needed, some planning on where I want light and shadow. Then I throw away the sketch, the photograph, look away from the reality and let the paint, the brush and the water flow.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 7-day, money-back guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support