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VIEW IN MY ROOM

"BOYS & GIRLS" Painting

Chuck Hipsher

United States

Painting, Acrylic on Canvas

Size: 96 W x 48 H x 1.7 D in

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$9,000USD

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About The Artwork

As my son turns towards his 12th birthday, it's interesting to watch his reaction to another friend telling him that "a lot of girls really like you". He's so shy and non-plussed. "Whatever" is his typical response. That's it, buddy. Hold out for as long as you can! But seriously, the weight, colors, composition and activity in this piece makes for an interesting look-see. I'm constantly finding new hidden trinkets. The right panel is a dusty rose crushed velvet piece that reacts to light differently from different angles - making it ultra changeable - like most women I've known. But that's a good thing. Whereas, the bright erratic left blue panel is full of contradictions- both underlying and on the surface - like most men I've known. All-in-all, they balance each other out to form one strong and beautiful piece. Like most couples I know.

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:96 W x 48 H x 1.7 D in

Number of Panels:2

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RAW EMOTION IN AN ERA OF EMOJIS I’m most interested in the raw beauty of life. The expected and unexpected colliding to create new storylines. I’m drawn to the gestural aspect of painting. The physicality of it all... How a line, stroke or mass of color from my efforts can both capture and evoke raw ‘feelings’. My work goes through many stages of development. The advance/retreat method allows for constant editing and discovery through applying more paint/color while simultaneously erasing it - either with large flat edges, sponges, a leaf blower, or even my garden hose. I am interested in the gesture or movement involved in the creation of my pieces. My mind and mood drive the process from start to finish - determining color, scale, composition and ultimately, a finished state. Nothing is precious and all is subject to change - depending on my state of being during the development. All of my works are related to a time, place, person or event in my past or present. The viewer will draw their own conclusions with only a simple title to work with. How they see it and what they see is their own to experience. Having lived and worked in Chicago, New York City, Detroit, Houston and now back in my home state of Iowa, I find I have a rich backlog of information in my emotional bank. While I pay clear homage to The New York School, I also appreciate and have respect for Hopper, Richter, Kiefer, Rauschenberg and Schnabel. Finally, I'm a firm believer in painting like I live: Make bold strokes, be well-composed, but allow room for discovery and surprise.

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