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Painting, Acrylic on Canvas
Size: 48 W x 72 H x 1.5 D in
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The Bataan Death March (Filipino: Martsa ng Kamatayan sa Bataan; Kapampangan: Martsa ning Kematayan king Bataan; Japanese: バターン死の行進, Hepburn: Batān Shi no Kōshin) was the forcible transfer by the Imperial Japanese Army of 60,000–80,000 American and Filipino prisoners of war from Saysain Point, Bagac, Bataan and Mariveles to Camp O'Donnell, Capas, Tarlac, via San Fernando, Pampanga, the prisoners being forced to march despite many dying on the journey. The transfer began on April 9, 1942, after the three-month Battle of Bataan in the Philippines during World War II. The total distance marched from Mariveles to San Fernando and from the Capas Train Station to Camp O'Donnell is variously reported by differing sources as between 60 and 69.6 miles (96.6 and 112.0 km). Sources also report widely differing prisoner of war casualties prior to reaching Camp O'Donnell: from 5,000 to 18,000 Filipino deaths and 500 to 650 American deaths during the march. The march was characterized by severe physical abuse and wanton killings. After the war, the Japanese commander, General Masaharu Homma and two of his officers were tried in United States military commissions and sentenced to death on charges of failing to prevent their subordinates from committing war crimes. Source: Wikipedia
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:48 W x 72 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
Artist featured by Saatchi Art in a collection
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