view additional image 1
View in a Room ArtworkView in a Room Background
view additional image 3
view additional image 4
view additional image 5
view additional image 6
view additional image 7
210 Views
0

VIEW IN MY ROOM

Bataan Death March Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 72 H x 1.5 D in

Ships in a Crate

info-circle
$3,500

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
210 Views
0

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

The Bataan Death March (Filipino: Martsa ng Kamatayan sa Bataan; Kapampangan: Martsa ning Kematayan king Bataan; Japanese: バターン死の行進, Hepburn: Batān Shi no Kōshin) was the forcible transfer by the Imperial Japanese Army of 60,000–80,000 American and Filipino prisoners of war from Saysain Point, Bagac, Bataan and Mariveles to Camp O'Donnell, Capas, Tarlac, via San Fernando, Pampanga, the prisoners being forced to march despite many dying on the journey. The transfer began on April 9, 1942, after the three-month Battle of Bataan in the Philippines during World War II. The total distance marched from Mariveles to San Fernando and from the Capas Train Station to Camp O'Donnell is variously reported by differing sources as between 60 and 69.6 miles (96.6 and 112.0 km). Sources also report widely differing prisoner of war casualties prior to reaching Camp O'Donnell: from 5,000 to 18,000 Filipino deaths and 500 to 650 American deaths during the march. The march was characterized by severe physical abuse and wanton killings. After the war, the Japanese commander, General Masaharu Homma and two of his officers were tried in United States military commissions and sentenced to death on charges of failing to prevent their subordinates from committing war crimes. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 72 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support