Big Boy Painting

HEIDELBERGENSIS David Rosado get all this for an "urgency to defame the painting." This problem arises with relevance here our urban myths are represented, the heroes of the show and all luxury alternes of civilized Europe. What is needed is to report that these forms have their own life, independent individuality of the frame itself, which is a new level to explain the major disasters of our civilization, rotting, made of pieces of huge scams on the body and on The spirit. For this the artist pretends bonding of inflatable objects and everyday scenes, as in a transplant advertising wall to the screen. The use of painting in acrylic glass makes the two-dimensional pieces start to have another reading, and are identified as objects advertising narratives between the false stained glass and painting inside the frame, leading to ask why the situation and its promiscuity cynical or sarcastic, Images that mixture have a strong component of the way of making the ink is left, the plain backgrounds that complement and accentuate the innocent character of some of the characters in this process influences and surroundings narrative can be involved through simple references as : food, tastes, logos, imogis, smilies, icons, and applied in directly language without noticing in the contamination, represented by the perturbation of the learned language in the ordinary teaching of academic growth and transformed in a written manifestation very own used in construction of a unique and universal language that supports the increased use in mobile writing or urban slang, which are similar to evolutionary notes on social performance and territorial character of the urban masses comparing whole evidence series that put us on the path of the times primitive to the present day, thus resulting in the heidelbergensis title (Homo heidelbergensis is an extinct hominid that arose more than 500,000 years and lasted at least until about 250,000 years (Pleistocene medio). Received this name because the first fossils discovered were found near the city Heidelberg, Germany.) These graphic-evolutionary notes will continue to impact on the development of big cities can point out territorial markings Multiple sources and influences, as they used the hunting drawings in caves and building objects. These implications of social pressure and rapid assimilation of elements originate the need to show multi-tasking (multifunction) which makes everything is fast and easy to use, an increase in demonstrations Urban / Graphics and expression may be behind these rapid changes to which the confusion of social rules can sometimes be confused resulting in a transformation of actions around us. Sharks flying, inflatable bottomless, skulls smiling, plastic donkeys that support a whole series of elements that show up as a social example and make this adventure something to consider in this universe where the use of everyday objects are inserted in a peculiar literacy thus creating small narratives that can do according to our criteria. clearly is a playful work, to our eyes, and to exercise intellectual order that the visual transits and the respective awards oblige us also leads us to another side of research and evaluation of citizens' representation of data pair configuration cartoon dolls or parietal gestures; and, on the other hand the sliding of the image in terms of historical reference limit in time, the twentieth century in fact splashes, Overture and lie: the lie that gives us to see the real and therefore effectively makes it visible. Text by José Gonçalves