Bird Painting

Jolanta Gmur lives and works in Gdansk. She is finishing lithography cycle „Sleeper have to awake”. Folowing the thought of Ludwig Wittgenstein: "The limits of my language means the limits of my world" we may conclude that naming "colour" is directly related to our knowlage of its subject. Due to our intuition it is posssible to interpret any abstarct phenomena. Let's make a theoretical assumption that the "colour" does not exist. Identifying something as "blue" or "red' is just a matter of a specyfic "code" which we use in order to communicate with one another. However, when contemplating the same object, do we absolutely see the same thing? Do we read the same "code" in the same way?