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Boats at Blakeney Painting

Peter Kavanagh

United Kingdom

Painting, Oil on Cardboard

Size: 23.6 W x 17.7 H x 1.6 D in

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Originally listed for $590

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ABOUT THE ARTWORK
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The sea marsh at Blakeney, with its tidal creek running through to the sea and its big, windy skies looming dramatically overhead is a great subject for painters! Here are two boats lying in wait as evening falls. One is old and abandoned and the other full of life and eager to get out sailing.

Year Created:

2018

Subject:
Medium:

Painting, Oil on Cardboard

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 17.7 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

I was born in England of Irish parents in 1960, growing up in and being influenced by the cultures of both England and Ireland. I worked for many years as a children's book illustrator and author. Currently I manage an illustration agency looking after the projects of around 25 artists. I've had over one hundred and fifty titles published, recent books being George and the Dragon, Craig's Crocodile and Ella's Games. I've illustrated authors such as Dick King-Smith, Jacqueline Wilson and Tony Bradman. I regularly visit schools and libraries and work with children on books and drawing. I enjoy teaching and have created courses in drawing, painting and writing childrens books. I enjoy visiting local art groups and run life drawing classes for adults. My main subject is the nude and I draw and paint from life whenever I can. As an illustrator a model is used for reference to help convey the desired figure. As an artist the process of working with the naked model becomes the essence of the nude picture. The connection, the relationship, the mood of the session impact upon the naked art and resonate in the final image. I prefer to paint directly from life to experience the presence of the model. This demands working quickly before the model tires and the gesture of the pose is lost. Gesture is the magic quality that we respond to and very important in my work. Light is also important to me, revealing the fragile and transient beauty that fills us with sadness at the same moment as it fills us with pleasure.

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