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Though there might be lots of opinions about Bonnie and Clyde, this mass murderous pair had become a legend.  
I tried to digest this mythological lovers which time and media had built up.  I think I could find a bit of truth out of massive gossips.  I think (hope) it was love.
Though there might be lots of opinions about Bonnie and Clyde, this mass murderous pair had become a legend.  
I tried to digest this mythological lovers which time and media had built up.  I think I could find a bit of truth out of massive gossips.  I think (hope) it was love.
Though there might be lots of opinions about Bonnie and Clyde, this mass murderous pair had become a legend.  
I tried to digest this mythological lovers which time and media had built up.  I think I could find a bit of truth out of massive gossips.  I think (hope) it was love.
Though there might be lots of opinions about Bonnie and Clyde, this mass murderous pair had become a legend.  
I tried to digest this mythological lovers which time and media had built up.  I think I could find a bit of truth out of massive gossips.  I think (hope) it was love.
Though there might be lots of opinions about Bonnie and Clyde, this mass murderous pair had become a legend.  
I tried to digest this mythological lovers which time and media had built up.  I think I could find a bit of truth out of massive gossips.  I think (hope) it was love.

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Bonnie Parker and Clyde Barrow 2 Painting

Hirotaka Suzuki

United States

Painting, Acrylic on Canvas

Size: 12 W x 16 H x 1.3 D in

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ABOUT THE ARTWORK

Though there might be lots of opinions about Bonnie and Clyde, this mass murderous pair had become a legend. I tried to digest this mythological lovers which time and media had built up. I think I could find a bit of truth out of massive gossips. I think (hope) it was love.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

12 W x 16 H x 1.3 D in

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Perhaps I am painting the cruelty of contemporary life because it is in opposition to my naïve outlook. In contrast with the physical features of my paintings, I think I am visualizing my feeling of anxiety in contemporary life. Though I do not think I am fully aware of the relationship between this cruelty and my anxiety, I represent this unsure feeling as figuratively as possible, and I am trying to figure it out in my painting. Although there are some prominent aspects of our contemporary world, such as commercialism and materialism, I cannot say who my enemy is. Some of the threats might involve the art world, however to protest such issues overtly does not suit my personal outlook.

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