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Chaos Painting

Marina Tsesarenko

Ukraine

Painting, Acrylic on Wood

Size: 23.6 W x 23.6 H x 1.5 D in

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About The Artwork

Destructivism: A Manifesto by Rafael MontaƱez Ortiz, 1962 We who use the process of destruction understand above all the desperate need to retain unconscious integrity. We point to ourselves and confess, shouting the revelation, that anger and anguish which hide behind the quiet face is in service of death, a death which is more than spiritual. The artist must give warning, his struggle must make a noise, it must be a signal. Our screams of anguish and anger will contort our faces and bodies, our shouts will be "to hell with death," our actions will make a noise that will shake the heavens and hell. Of this stuff our art will be, that which is made will be unmade, that which is assembled will be disassembled, that which is constructed will be destructed. The artist will cease to be the lackey, his process will cease to be burdened by a morality which only has meaning in reality. The artist's sense of destruction will no longer be turned inward in fear. The art that utilizes the destructive processes will purge, for as it gives death, so it will give to life.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:23.6 W x 23.6 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Marina Tsesarenko, an evolving talent from Ukraine, creates artworks with a fresh and new aesthetic. When you stand before one of her works, you are presented with a kaleidoscopic universe of glass, a reflective playground for the eyes. The artist creates paintings made of shattered glass , which she considers portals into another worlds. With a minimal, neo-conceptual execution, her artworks offer a glistening symphony of hued splendor. Art projects are connected with studies of the flexible nature of fragility and danger, boundaries of existence and non-existence, research of personal identity and human abstractions of life, death, and wraith of the intangible.

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