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City on a river drawn with ink Painting

Bogdan Zareba

France

Painting, Acrylic on Canvas

Size: 35 W x 16.5 H x 2 D in

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About The Artwork

Cityscape of Delft by Vermeer that I’ve got in my memory is a perfection, impossible to achieve. Everybody composes its own image of his city from his memory, from his childhood. There is no limit in the combinations, really thousands. In the beginning I’ve chosen a city on a river, with a castle, trees, blue river full of reflexions. I’ve decided to transform it into more abstract image, as it multiplies the possibilities by thousands. I’ve added several layers of ink blobs to change green soils, grey trees, and pink-green banks you have got many possibilities. I wanted create a calm meditation about colours. The aim was to create an abstraction which is more interesting then real initial image is. It’s possible to create “easily” thousands of abstraction as on each stage you’ve got several choices. For me most important is that the final abstraction keeps the link with the initial image in a hidden manner. You can recognize something without knowing what.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:35 W x 16.5 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I think that it’s a job of a painter to invent new ways for explorations in painting. It’s impossible to describe rationally a creative process of any painting, there are too many stages, mixed, irrational, chaotic. Some painters in their memories says that they have been often motivated to paint new images to create painting they have been dreaming for but were unable to find in reality, so they had to create them themselves, it still exists in 2018 Currently I’m working on. 1° research on light 2° interactions between cultures 3° mountains 4° inventing meeting of painters 5° studies of classic paintings In the future I’d like to imagine Vinci meeting Einstein. I'm signing with Stanislas BZ (my true second name) My e-mail are : zarebabogsta@gmail.com or stanislaw_zar@yahoo.fr 1° research on light Every 50years might be discovered new methodologies of interactions with other lights. Here the lights are projected behind windows and are moving through sunflowers, creating interesting volumes, to construct new types of spaces. Here : black is a color, void is a color, black is a light, void is a light. 2° interactions between cultures - In my work : N°3 “Thai landscape by Cezanne-Twombly” 21st centaury offers us all method of communication with other cultures, even 20 000km away. I’ve asked myself : What might be Thai landscape influenced by European painting with our notions of space, where the interactions of colors are so different. When Thai painting stop being Thai and becomes European ? Is it Thai for Thai national or only for European nationals ? 3° mountains - In my work : N°7 “Mountain in the evening with Matisse in my mind”. A painter has to analyze the Nature and transform it in a painting making it vibrate and resonate.. Mountains are one of best element in Nature for painters as proved by Cezanne and Balthus. I’ve been always impressed by scientists explaining mountains as result of the encounters of very powerful forces of Nature. You are crushed by the infinity of space and difference of scale human-mountain. Cezanne has been very good in representing these hidden forces of Nature which are behind each pattern of his colors. 4° inventing meeting of painters I think that it’s very important to imagine painters of different epoch meeting.

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