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This painting is part of an ongoing exploration depicting memories conjured up from re-reading letters sent to me 30 years ago.  I use cloud shapes as metaphors for memory as I derive pleasure from the ever-changing spectacle of passing clouds. Clouds like memory shift and change as time goes by.
Sometimes clouds are soft and fluffy other times they are stormy and laden.  Weather patterns often depict our changing moods and emotional states.  I enjoy daydreaming and losing myself in the effervescent elusive intangible unknowns one comes across in Life.
This painting is part of an ongoing exploration depicting memories conjured up from re-reading letters sent to me 30 years ago.  I use cloud shapes as metaphors for memory as I derive pleasure from the ever-changing spectacle of passing clouds. Clouds like memory shift and change as time goes by.
Sometimes clouds are soft and fluffy other times they are stormy and laden.  Weather patterns often depict our changing moods and emotional states.  I enjoy daydreaming and losing myself in the effervescent elusive intangible unknowns one comes across in Life.
Details of Cloud 10: Apocalypse
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Cloud 10: Apocalypse Painting

Mary Romer Greenfield

United Kingdom

Painting, Acrylic on Canvas

Size: 43 W x 43 H x 2 D in

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$5,740

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298 Views
9

About The Artwork

This painting is part of an ongoing exploration depicting memories conjured up from re-reading letters sent to me 30 years ago. I use cloud shapes as metaphors for memory as I derive pleasure from the ever-changing spectacle of passing clouds. Clouds like memory shift and change as time goes by. Sometimes clouds are soft and fluffy other times they are stormy and laden. Weather patterns often depict our changing moods and emotional states. I enjoy daydreaming and losing myself in the effervescent elusive intangible unknowns one comes across in Life.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:43 W x 43 H x 2 D in

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My work may be said to be exploring a visual language that moves subtly between figuration and abstraction, but which is neither narrative or symbolic. The pictures are built up of layers of paint, using various techniques. Much of my work relies on a distillation of memories which for many of us vary from the theatre of our lives. My experiences range from walking in vast landscapes to the minutiae of domestic life and much that lies in-between. The lyrical quality found in these works is expressed through colours super-imposed on one another, or in a line or circle of pencil. The colours and shapes in these paintings shift and play through an arc of emotions, forming and dissolving like memories, which advance and recede in the mind's eye. Gestural marks are scratched or gouged into the paint, revealing a palimpsest of communications.

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