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Cloud tree Painting

Anya Janssen

Netherlands

Painting, Oil on Canvas

Size: 149.9 W x 200.7 H x 4 D cm

Ships in a Crate

This artwork is not for sale.

68 Views

4

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Cloud tree, from the series 'The perfect world', the old oak tree from my childhood

Year Created:

2009

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

149.9 W x 200.7 H x 4 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

My work tells tales through impressions. In series of narrative oil paintings, drawings and sometimes photographs and videos I try to achieve an intimate, direct relationship with my subject matter. The border areas of traditional contradictions such as power and powerlessness, beauty and decay, and nature versus culture are being examined over and over again. The painted objects, bodies and places are given a simmering tension below the painterly surface. I would like to use the word 'begeesterd' or spirited for the essence of the physical world that I want to capture. By either using distortion, transparency or alienating light I translate reality and all its facets to my canvas. Painting is for me the ultimate attempt to get closer to my subject, to fathom the other, to understand, and to connect, and gradually coming to the realization that connecting with someone means letting a fragment of their being become part of yours. I am far less autonomous than I often believe to be. A porous identity replaces a static “I” with a fluid “we”. I want my work to communicate non-verbally, to unfold slowly and to leave room for contemplation, doubt and not-knowing.

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Siting Wang, Associate Curator