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Composition four *SOLD Print

Nikola Ablah Nikolić

Serbia

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About The Artwork

In this series of paintings I dealt with subjectivity, apropos my inner states, both on a spiritual and psychological, emotional level. Through the appropriate dose of expression I tried to convey the internal states, consciousness and subconscious, in the form of energy, whether it is positive or negative, and to materialize that energy charge from the inside into the abstract whole as visual information. Relying on the concept of abstract expressionism and action painting, I have experimented a lot with the use of visual elements and the principles of composing in the construction of the painting and its abstract composing. I worked on a large format painting on the floor, which allowed me to better connect and communicate with the painting in the painting process. I expressed myself in immaterial forms and arbitrary colors, which at a given moment intuitively suited me. I painted with acrylic paint, which I made from synthetic pigments and acrylic binder of different density, so I manipulated the paint depending on the desired result. Also, using harmony, balance, gradation, rhythm, direction and texture in the painting, I tried to represent the intensity and character of a particular internal state. I worked in two phases, in the first I would threw out of myself the rawest possible expression directly on the canvas, without much thinking, control and self-criticism at that moment. I relied on intuition and the unconscious from within, then in the second phase i would rationally analyze the current situation in the picture, and finish it by reducing the excess information, and purified certain parts that were undefined.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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Nikola was born in 1991 in Aleksinac. He graduated in 2016 on the Academy of Arts, Department of Fine Arts in Novi Sad. That same year he was awarded for the most successful work in the field of painting as an art discipline, and he was a scholarship holder of the republican fund of the Ministry of Education. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In my previous research and work, I dealt with subjectivity, apropos my inner states, both on a spiritual and psychological, emotional level. Through the appropriate dose of expression I tried to convey the internal states, consciousness and subconscious, in the form of energy, whether it is positive or negative, and to materialize that energy charge from the inside into the abstract whole as visual information. I focused on the painting, but I did research and experimenting in the same direction with drawing, art graphics and sculpture. Relying on the concept of abstract expressionism and action painting, I have experimented a lot with the use of visual elements and the principles of composing in the construction of the painting and its abstract composing. In addition to the traditional media of fine arts, I have succeeded in conducting my research and ideas in the field of new art media, such as installation, performance, photography, video, animation, digital painting. Experiences in working with these media have enabled me to better understand contemporary art practice as well as art in general. I also realized how some particular working principle, or some particular poetics, can function through different media categories.

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