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Condemned Painting

Miriam Cabello

Australia

Painting, Oil on Linen

Size: 72 W x 48 H x 1.2 D in

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$12,050

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About The Artwork

Miriam Cabello’s conception of this work was born out of three months residency in Florence, Italy, where she was a winner at the Florence Biennale of Contemporary art. Miriam studied the works of the Old Masters in Italy and Spain and the Abstract Expressionists in New York. The fruits of that experience are evident in the compelling, robust figures and splatters that inhabit The Pugilist Passion series. The oil painting “Condemned” depicts a weight scale with significant national and international historical dates that align the White Australia Policy with international conflicts on segregation. The assistant that weighs the boxer, simultaneously removing his robe and sliding the weights, cleverly draws the viewer to the scale. The C-shaped weight encloses 1963: • The year Martin Luther King Jnr delivers his “I have a dream” speech • President John F Kennedy is assassinated • The Berlin Wall is opened for one day His actions quote those of the Roman guard in Caravaggio’s Ecce Homo, who disrobes Jesus after the mocking. The boxer stands defiantly staring back with bruised, bloodshot eyes, this time quoting Rubens’ Ecce Homo. He is not the usual bowed head and hands crossed demurely in front of him. The boxer’s steady gaze convicts the viewer of their complicity in the coming events. From our position, we could easily be betting punters, whether aware of it or not, about to profit from the imminent act of injustice. Just as the Promoter’s unrepentant, perhaps arrogant stance and absence of water prevent any pretence of innocence. We find ourselves confronted by the piercing eyes of the boxer, unable to escape our conscience, morally isolated in a crowd of one, for all we know.

Details & Dimensions

Painting:Oil on Linen

Original:One-of-a-kind Artwork

Size:72 W x 48 H x 1.2 D in

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Miriam Cabello is a Chilean-Australian interdisciplinary artist, curator, and academic educator, based in Sydney. Her studio practice explores Mythology, questioning, "Where is Hercules (Heracles)? What does it mean to be Hercules in the 21st century?" She offers a host of unique artistic responses to this ambitious question. Her new multi-layered works feature some of the finest figurative contemporary paintings of universal heroes, from the celebrated to the conspicuous, from athletes to activists. To reveal and merge incompatible ideas from masculinity and feminism in contemporary art. Western Mythology juxtaposed with Meso-American myths. Allegories of Pugilism (boxing) aim to expound ideas and unearth the exploits of great heroes fighting against superhuman odds, quests and trials and the eternal fight against the powers of darkness and adversity. Hercules finds its origins in Cabello's 2011 exhibition at the DUMBO Arts Festival, Brooklyn, selected to travel to the National Art Museum of Sport, USA, titled 'Australian Aboriginal Boxing Legends'. Highlighting Lionel Rose, American Sports Illustrated wrote of his 1968 fight in Tokyo, "across Australia, that night people clung to radios as if the ringside announcer were Winston Churchill … women wept over Lionel Rose and men shouted…. Lionel Rose was Hercules, Charles Lindbergh and the Messiah all rolled into one". Miriam's creative process and the interlocking themes she has developed throughout her life and art practice are grounded on the Old Masters' historical oil painting techniques, iconography, colour symbolism and the Latin American art canon. Her innovative oil painting technique bridges the baroque and post-modern understanding of light, which affects perception. She founded ©Spectral Kinetic Realism after 20 years of academic research and creative exploration.

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