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Costellazione#1 Painting

Salvatore Mauro

Italy

Painting, Spray Paint on Wood

Size: 152.4 W x 152.4 H x 7.6 D cm

Ships in a Crate

This artwork is not for sale.

67 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

For the best significant acquisition of the work proposed by Salvatore Mauro, I would without hesitation mention some expressive forms that originated in the 60s, in particular that type of object works with high technological content as in the conceptual of Joseph Kosuth, Dan Flavin, Maurizio Nannu...

Year Created:

2019

Subject:
Mediums:

Painting, Spray Paint on Wood

Rarity:

One-of-a-kind Artwork

Size:

152.4 W x 152.4 H x 7.6 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

For the best meaningful research of the work proposed by Salvatore Mauro, I would without hesitation mention some expressive forms that originated in the 60s, in particular that type of object works and high technological content as in the conceptual of Joseph Kosuth, Dan Flavin, Maurizio Nannucci, but with a procedural cut close to Merz and a neo-futuristic idea to Marco Lodoli, a reference that identifies a Mediterranean linguistic root. But there is also the hypermodern transliteration of objects in a language that wants to become an assemblage of signs and learned communication in the manner of the 2000s, relating the public and the artist's interventions Domenico Scudero

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