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Déjeuner sur l'herbe entre amis Painting

Diane Brouillette

Canada

Painting, Acrylic on Canvas

Size: 40 W x 60 H x 1.5 D in

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About The Artwork

Le processus de création est si simple mais aussi parfois bien complexe quand il s'agit de trouver quand et où commence l`ìdée d'une oeuvre. Ma peinture est fait d'imaginaire qui émerge de l'enfance et de mes préoccupations actuelles et quotidiennes. C'est ce qui se passe dans "déjeuner sur l'herbe entre amis". Je dépeins mon bien-être entourée d'animaux. À mes yeux, aucun ne doit être négligé, tous ont leur importance. Le bonnet d'âne représente l'ignorance et aussi la conscience du regard extérieur désapprobateur qui minimise la place des animaux. La peau de l'âne, les oies, la jeune fille, font référence au conte de Charles Perrault.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 60 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Diane Brouillette was born in Valleyfield in 1960. She has acquired a solid arts education, holding a Bachelor’s degree in fine arts (1985), and later studying printmaking in Grenoble (France). She was awarded a grant from the Canada Council for the Arts (1989), in order to perfect her technique at the Académie des Beaux-arts de Florence (Italy). Diane’s works are exhibited in several private and public collections. Diane Brouillette has been painting and professionally exhibiting her work for almost 30 years. She is renowned beyond our borders, for her still life paintings rendered with a realism that both enlivens and makes her subjects resonate. Giving the power of her imagination free reign in this exhibition, the artist infuses her iconography with new life. Her characters are solitary and frozen on the canvas, emerging from a world firmly anchored in dreams, the unconscious and the intimate. Only the hands and faces are showcased. Just like her still lifes, these new paintings are executed with a refined attention to detail, and a rich treatment of lighting and subject matter. Diane Brouillette unveils her approach, yet her characters hold onto their secrets—behind a mask—their hands and eyelids downcast. Could this be the paradox that so captivates the viewer in search of an answer?

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