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Deceptive Wounds 10/06 Painting

Ling Heart

United Kingdom

Painting, Acrylic on Canvas

Size: 23.4 W x 16.5 H x 1 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is painting number four in a collection of nine pieces. 'Deceptive Wounds' 10th of June.

Year Created:

2018

Subject:
Styles:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.4 W x 16.5 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

This vegan collection focuses on pieces of raw expression—abstract. Beverley is now practising fine art. The projectist method is a version of the stream-of-consciousness technique and projects one thought process from an idea onto an artwork. The method is to focus on an anchor idea and "zone in" on one string of thought; this string of thought should be specific and "zone out" of (block) any other thought processes. The artist follows deep and recurring impulses, which come as they move. Remaining in the string of thought in isolation to complete the painting is crucial, and the painting must expand into a complete projection Beverley's Focus: The expression of vegan enlightenment. A mind aware of the societal and cultural conditioning of speciesism: Speciesism is the belief that other beings on earth are here to serve human needs and desires. Species suppression is part of the human experience, and often justifies unnecessary acts of exploitation.

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Curator - Erin Remington

Erin Remington, Curatorial Director