VIEW IN MY ROOM
DIFFUSION Painting
Germany
Painting, Acrylic on Canvas
Size: 43.3 W x 27.6 H x 0.8 D in
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About The Artwork
Title: DIFFUSION | Color spectrum: black, white, gray, blue | Format: 70 x 110 x 2 cm | Material: Acrylic on canvas and stretcher in mixed technique | Medium format | Year 2022 | Ready to hang | This exhibit is part of my new portfolio from the year 2022. It is created using an experimental technique that consists of a combination of spatula work and pasty application of the paint. The colors used here are also reduced to the basic colors as much as possible. Intermediate tones result from the mixture on the ground. As with all of my exhibits, the creative process starts with the priming of the canvas. My principle also applies here: the viewer finds true beauty in the details. Essentially, the basic statement is based on my preference for astronomical phenomena. I try to give a phenomenon a face and to make it imaginable or to interpret it. Please also visit my new YouTube channel under the link: https://www.youtube.com/channel/UC8ynbVGM9kh2QN_xUtWyLQQ
Original Created:2022
Subjects:Abstract
Materials:Canvas
Styles:Abstract ExpressionismModern
Mediums:Acrylic
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:43.3 W x 27.6 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
CREATING SOMETHING NEW. No more interpretation or reconstruction of our environment. Action painting or abstract expressionism is abstract painting in its basic form. Contrary to classical- realist painting my work is characterised by an "experimental reality", which we can neither to see, nor describe. Using the methods of construction and destruction, in which coincidence is mixed in, makes it possible for me to create a picture which is not predetermined. Painting becomes an analogy for the uncertain, the unknown and the incomprehensible. Good pictures are incomprehensible. Creating unintelligibility completely excludes producing any old nonsense because any old nonsense is always understandable as such.
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