VIEW IN MY ROOM
Italy
Painting, Wax on Wood
Size: 13.8 W x 17.7 H x 2 D in
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Dot Line, 2017, encaustic and mixed media on board, 45x35 cm/ 18x14 in. This work is done using the encaustic technique which is substantially painting with wax. The original recipe of this very antique technique (it has his origins in ancient Egyptians and Romans) has been lost and now each artist has his own interpretation. The intriguing aspect of this medium is the fact that is half way between a painting and a sculpture, it gives a tridimensional aspect to the work that can not be achieved with other techniques and at the same time it has a shine and transparency that is unique and very difficult to perceive in photo
Painting:Wax on Wood
Original:One-of-a-kind Artwork
Size:13.8 W x 17.7 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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My creative imaginary is the tempting encounter within new and old, idea and form, rigor and creativity, East and West. I work within representation and abstraction trying to find equilibrium within contrapositions. I pursue an intimate path following the suggestions of what’s around me, conscious of the subtle veil that divides representation and abstraction; I brake down and reassemble elements keeping the suggestion of the original archetype. This process induces you to perceive figures that are at the same time familiar and elusive. A creative choice that allows me to deepen the exploration of subtle emotions, not yelled, that overlap layer after layer in my works to create a complex emotional syntax. I love the raw material and the manual skill: the imperfection in the repetition, the uniqueness of the gesture. In my works. I employ new (resin) and old (encaustic) techniques making use of the infinite opportunities that paper, photography, digital manipulation can offer to reach my formal idea. The final result is an infinite interest for many ways of doing art and an intercultural language built on many levels. “Overlapping and organized cells with a complex epidermis, disclose to the artist in all oftheir articulate and extraordinary geometry. Each deepest inside is in the eyes, then in the paint, of Rosemary Salkin Sbiroli.” Romina Guidelli, Art Critic
Artist featured by Saatchi Art in a collection
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