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Painting, Acrylic on Paper
Size: 16 W x 9.1 H x 0.2 D in
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$457
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ABOUT THE ARTWORK
Painted on thick archival quality Saunders and Waterford paper, suing collage. Referring to the ancient battles between the indigenous Welsh and endless invaders, as well as the colours and landscape/ ruined architectural features around Cwmorthin. Cwmorthin is a slate littered valley with a rich history, with ruined 19th C buildings still there! Essentially, as with all my work, this is a painting which focuses attention on the abstraction of the image itself - the playful shapes, lines, rhythms, colours and textures to be enjoyed for their own sake.
Original Created:
2023
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Acrylic on Paper
Original:
One-of-a-kind Artwork
Size:
16 W x 9.1 H x 0.2 D in
Frame:
Not Framed
Ready to Hang:
No
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Jonathan Peter Smith
United Kingdom
Statement Tutored by the highly acclaimed Stewart Geddes and Stass Paraskos. My atmospheric abstractions portray experiences in places (landscapes and interiors) in an aesthetic way. Experiences in Cyprus, Rome, Scottish Highlands, Wales, Worthing Coast (where I live) and my home interior have provided fantastic inspiration. Urban and natural places both entice me. I'm visually captivated by nature, urban/ natural colours, ruins, architecture, historical art/ artefacts, graffiti and weathered walls in places. A place's history, weather, atmosphere and my emotions also influence my work. That inspiration from a place, determines specific colours, visual effects, moods, shapes and textures, which I improvise with and enjoy for their own sake. I love paint- layering, exploring textures, excavating, collaging and incising it in my relic/organic-like acrylic works, on thick archival papers. It's a fascinating adventure seeing my paintings evolve an independent life/ history of their own, yet still evoking a sense of place.
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