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Chile
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Fine Art Paper
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8 x 10 in ($60)
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White ($80)
The theme is about the legend of a nocturnal bird who repite in his song the words tue tue. Its flight is fast as soon you hear here and there. According to the Mapuche people, the person who at he Tue Tue sings is doomed to die. The truth is that the Tue Tue is a Mapuche witch who goes outs to fly at nights. Before he sings three times, you should ask him to come and vista your house, to save your soul. A young woman did so and she got a great surprise when a woman came the next day and told her that she was there for the invitation to have some tea She invited her in, offered her seat and put, on the sly, under the cushion an open scissors. This was to discover if she was the witch or not. After serving the table, she invited to have a cup of tea something, but the old lady could not get up because he had been stuck. This frightened the young woman and proved that the tue tue was who was visiting at home.
Original Created:2015
Subjects:Pop Culture/Celebrity
Materials:Canvas
Styles:FigurativePop ArtModern
Mediums:Oil
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Painter and goldsmith born in Chile, graduated from Fine Arts. I have always felt attracted by images and the idea that everything can be created from their compilation. From this impression and from the recycling of images, I started painting different scenes, fictional scenarios, colourful and provocative, with the intention to trigger spectators to build a personal and creative process under their own experience in relationship to my work. According to this, my proposal follows an appropriationist line, in which the creation process is conceived from a rich mixture of languages. Once images are decontextualized, a digital procedure is applied in order to assemble them in a pictorial collage. The appropriationism and the extraction of the authorship give life to new and original images, implying an outcome that goes from the reflection of the art to a visual pleasure. This, of course, modifies the sense given by the original authors. The intention behind this is to transmit a new kind of plastic and conceptual experience, obtained from the world of publicity, history of art, and literature. The result obtained from the visual discourse is articulated from a variety of little fragments that come from the intervened mass-media, mostly with a digital nature, delivering as a final outcome the resemantization of the artistic work.
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