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Painting, Oil on Pressed Cardboard
Size: 11.8 W x 11.8 H x 0.1 D in
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The painting was painted from nature, outdoors in my native village of Stupnytsia(Lviv region, Ukraine), on the outskirts of the village. It was in the summer of 2022. When I go to work in nature, I take several (5-10) formats of cardboard or canvas. When the sun moves, I work quickly making several motifs. At the end of the work day, I have one or two formats left and I try to catch the mood of the evening. This landscape is an attempt to capture the mood of a summer evening. As a rule, the last landscapes satisfy me the most because I have already got to know the mood of the day and the colors in my palette. Therefore, it is a mood painting. The mood of a summer evening. Materials: cardboard, oil, varnish. Without frame.
2022
Oil on Pressed Cardboard
One-of-a-kind Artwork
11.8 W x 11.8 H x 0.1 D in
Not Framed
No
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Ukraine.
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Mykola Kozlovsky is a Ukrainian contemporary artist who works in non-figurative painting. Born in 1994 in Stupnytsia village, Lviv region. Now lives and works in Lviv, Ukraine. Art education: icon painter, religious painting. Admiring the landscape from nature. I like to use the principle of three-stage painting in a modern way I was born and raised in a small, beautiful village, surrounded by nature and beautiful landscapes. That's why I mostly paint landscapes in nature. The basis of my art is a harmonious composition, this is a common feature of any painting: from the Renaissance to abstraction. Color has the main importance in my art, I do not copy the colors of nature, but combine colors harmoniously as in nature. I rarely mix colors mechanically, but mix optically, or use pure color. The main source of inspiration for me is sunlight and forms of nature. My abstraction is based on the constant movement and change of matter in space and time. For example: a tree grows from a seed, grows under the influence of sunlight, ground, gravity, air, the tree becomes a whimsical, unpredictable shape This tree is a sign of its time. Then the tree dries up and dies, and becomes food for new plants that will go through the same cycle. This is the fate of all living things. I often observe this in nature, and it is the basis of my abstract perception.And that's why I believe that for me the form is the main thing and the content is secondary. And that's why I consider my paintings close to abstraction, but not pure abstraction. I draw on paper, cardboard, canvas; I use pencils, markers, acrylic, oil. I often combine acrylic and oil.
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