Faces #4 Painting

The flavors of the lives of the faces are hidden and concealed beneath the stained glass panels, which are strongly emphasized by the black/dark colored glass panels that act as negative spaces. The person present here is no longer a single-sided, one-dimensional, perfect human face, identical to a large grand narrative, but rather a multifaceted, multi-personal, multi-dimensional, fragmented human, filled with smaller narratives. Sometimes I converses with myself, and sometimes I am disintegrated into many dimensions of personality, all disguised by the colorful and illusory appearance of life. After being broken into pieces, people begin to seek, to find themselves, to mend and perfect themselves, or they cannot sit still and are compelled to seek something new and innovative. Looking at the world through multiple lenses, on the other hand, allows one to see oneself in relation to oneself, as the world is a labyrinth of mirrors made up of many different personal reflections. The polygons represent the fragmented yet interconnected aspects of our lives. Just as our past promises shape our present, the varying shapes and colors converge to form a coherent whole, reflecting the complexity of the human experience. My art encourages a dialogue between our true human form and the natural world. The polygons juxtaposed with organic faces underscore the need to harmonize our nature with the world around us.