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Two genres that rarely overlap, the fight scene floral is a (seriously) playful series of paintings that reflect on collisions in our societal structure and the desire to want to cover over the messy bits. The work explores both the whole and its brokenness, and how the two may exist simultaneously. Drawing on metaphors of annihilation and awakening, collapse and germination, ravaged terrains and the preeminence of nature the work attempts to call forth the need to question our assumptions and perhaps to embrace our own contradictions and confusion in a less judgmental, more curious manner.
Two genres that rarely overlap, the fight scene floral is a (seriously) playful series of paintings that reflect on collisions in our societal structure and the desire to want to cover over the messy bits. The work explores both the whole and its brokenness, and how the two may exist simultaneously. Drawing on metaphors of annihilation and awakening, collapse and germination, ravaged terrains and the preeminence of nature the work attempts to call forth the need to question our assumptions and perhaps to embrace our own contradictions and confusion in a less judgmental, more curious manner.
Two genres that rarely overlap, the fight scene floral is a (seriously) playful series of paintings that reflect on collisions in our societal structure and the desire to want to cover over the messy bits. The work explores both the whole and its brokenness, and how the two may exist simultaneously. Drawing on metaphors of annihilation and awakening, collapse and germination, ravaged terrains and the preeminence of nature the work attempts to call forth the need to question our assumptions and perhaps to embrace our own contradictions and confusion in a less judgmental, more curious manner.
Two genres that rarely overlap, the fight scene floral is a (seriously) playful series of paintings that reflect on collisions in our societal structure and the desire to want to cover over the messy bits. The work explores both the whole and its brokenness, and how the two may exist simultaneously. Drawing on metaphors of annihilation and awakening, collapse and germination, ravaged terrains and the preeminence of nature the work attempts to call forth the need to question our assumptions and perhaps to embrace our own contradictions and confusion in a less judgmental, more curious manner.
Two genres that rarely overlap, the fight scene floral is a (seriously) playful series of paintings that reflect on collisions in our societal structure and the desire to want to cover over the messy bits. The work explores both the whole and its brokenness, and how the two may exist simultaneously. Drawing on metaphors of annihilation and awakening, collapse and germination, ravaged terrains and the preeminence of nature the work attempts to call forth the need to question our assumptions and perhaps to embrace our own contradictions and confusion in a less judgmental, more curious manner.

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Fight Scene Floral Painting

Kathy Wright

United States

Painting, Acrylic on Canvas

Size: 36 W x 36 H x 1.5 D in

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Originally listed for $675

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ABOUT THE ARTWORK

Two genres that rarely overlap, the fight scene floral is a (seriously) playful series of paintings that reflect on collisions in our societal structure and the desire to want to cover over the messy bits. The work explores both the whole and its brokenness, and how the two may exist simultaneously. Drawing on metaphors of annihilation and awakening, collapse and germination, ravaged terrains and the preeminence of nature the work attempts to call forth the need to question our assumptions and perhaps to embrace our own contradictions and confusion in a less judgmental, more curious manner.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

36 W x 36 H x 1.5 D in

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Kathy Wright is an American born visual artist based in Sarasota, FL. With a Bachelors Degree in Architecture from Georgia Institute of Technology, she went on to obtain a Masters Degree in Architecture from Harvard University’s Graduate School of Design. Kathy has received numerous awards for her work including an Individual Artist Grant from the Pollock-Krasner Foundation for her Everglades Series of paintings and a Knight Neighborhood Challenge Grant from the John S. and James L. Knight foundation for sculpture. Among other honors, Wright has participated in the Art in Embassies Program of the United States Department of State, Sophia, Bulgaria and was Artist in Residence in Everglades National Park in 2008 and 2009.

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