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GEOMETRIE PATRIMONIALE Painting

Alain Rouschmeyer

France

Painting, Acrylic on Canvas

Size: 39.4 W x 39.4 H x 0.8 D in

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ABOUT THE ARTWORK

While the two-tone paving, the pilastered railing and the fluted column are references to classical architecture, evoking a genuine heritage geometry, this historical rigour invites a couple to sit down face to face on this passageway to begin a game of chess under the intrigued gaze of two Parisian sparrows. Straddling the line between light and shadow, the white tower that has fallen to the ground due to the clumsiness of the player who knocked it over gives the illusion that it can be picked up by a third person from outside the painting (this composition work was treated with acrylic and black stone from an original sketch).

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 0.8 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Look, observe, feel and imagine, as if to better perceive things in life and everyday life. The artist from an architectural universe never stops understanding and allowing himself to be seduced by the human journey in given spaces with this alternation of place and posture. The simplicity of a pose that becomes complicit in a space or a space that sublimates the presence of a passage. Like a love story, a particular attitude or a body whose meanings are sometimes unknown. Interpret, script, as if to better define fields of the possible between interior and exterior. This dimension which challenges the inside and the outside, the self and the others, order and disorder, fullness and emptiness or even image and history. These opposites that leave marks and determine how we perceive them. The artist plays with the decor, blurring it as well as sublimating it. Presence or absence as if to give free rein to the imagination of a short one-act story or a three-part triptych. This figurative waltz is enriched by the sketch of a stolen moment, sometimes supported by symbolic graphics that redefine the limits of these opposites to reveal a distinctive evidence. Like an exacerbated passion, the composition is an integral part of his work and complicit in making the subject live in its medium by involving it in its format. Like unfinished lace, between classicism and timelessness, we are invited to appropriate living spaces linked to our walks.

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