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Part of my new series exploring ideas in pigment about global warming, rising sea levels, floods and infrastructure decay. I made a series of photographs about the sea wall at Falmouth, Cornwall way back in 1995 and used the construction of the wall as the armature for this small painting, loosely applying hand mixed pigment and then gouging it out of the surface. The excessive Japan Dryer in the pigment mix causes the paint to collapse and creates organic textures that work nicely with the glimpses of the weave of the canvas revealed by by deliberate erosion of the picture plane.
Part of my new series exploring ideas in pigment about global warming, rising sea levels, floods and infrastructure decay. I made a series of photographs about the sea wall at Falmouth, Cornwall way back in 1995 and used the construction of the wall as the armature for this small painting, loosely applying hand mixed pigment and then gouging it out of the surface. The excessive Japan Dryer in the pigment mix causes the paint to collapse and creates organic textures that work nicely with the glimpses of the weave of the canvas revealed by by deliberate erosion of the picture plane.
Part of my new series exploring ideas in pigment about global warming, rising sea levels, floods and infrastructure decay. I made a series of photographs about the sea wall at Falmouth, Cornwall way back in 1995 and used the construction of the wall as the armature for this small painting, loosely applying hand mixed pigment and then gouging it out of the surface. The excessive Japan Dryer in the pigment mix causes the paint to collapse and creates organic textures that work nicely with the glimpses of the weave of the canvas revealed by by deliberate erosion of the picture plane.

93 Views

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View In My Room

Gauge #2 - Sea Wall Painting

Stephen Washington

United States

Painting, Oil on Canvas

Size: 16 W x 20 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $980

93 Views

10

ABOUT THE ARTWORK

Part of my new series exploring ideas in pigment about global warming, rising sea levels, floods and infrastructure decay. I made a series of photographs about the sea wall at Falmouth, Cornwall way back in 1995 and used the construction of the wall as the armature for this small painting, loosely applying hand mixed pigment and then gouging it out of the surface. The excessive Japan Dryer in the pigment mix causes the paint to collapse and creates organic textures that work nicely with the glimpses of the weave of the canvas revealed by by deliberate erosion of the picture plane.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

16 W x 20 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work on Saatchi is from my Rust Painting series that began in 2018 but is very similar to the photography I have shown in the UK and the USA and is based upon highly textured surfaces that imply a metamorphosis from one state to another and where the paint surface suggests that it is corroding and rusting. Rust seems to me to be a perfect metaphor for America in the 21st century with many of the bonds that joined our communities together coming under increasing strain and the physical infrastructure of the nation falling apart because of decades of no investment and our political institutions becoming corroded and broken. Rust can also be beautiful as it narrates time passing and the returning of matter to its original state in an organic and fascinating process. I live in the Rust Belt state of Pennsylvania not far from Bethlehem Steel where I have photographed regularly and these paintings also refer to the past glories of Pennsylvania steel towns like Bethlehem and Pittsburg and all the other places that Bethlehem Steel had plants that produced the steel for the Empire State Building, Golden Gate Bridge and railroads and the war effort. Rust never sleeps.

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