Get Away Painting by Brian McDonald

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Get Away

Brian McDonald

United States

Painting

Size: 12 W x 9.5 H x 3 D in

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About The Artwork

It was a plan so bold and brazen with a payoff that promised millions in return. Each step of the way was carefully choreographed and each detail carefully crafted. It was the perfect plan, really. Nothing could possibly go wrong… But there was one little thing they forgot to think about, one unexpected minor detail that somehow slipped their minds: ME! I uncovered their weakest link, the chink in their armor, their Achilles heel. I was one step ahead of them the whole time, turning the tables, and beating them at their own game. I took control of the situation and turned their brilliant plan against them. And I got away with it. All of it. Until now… "Get Away" - mixed media on wood panel.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:12 W x 9.5 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Brian McDonald is a mixed media collage artist who lives and works in the mission district of San Francisco. His work can be found in numerous private collections across the US, Canada, and Europe. ARTIST STATEMENT: My artwork is driven by a need to make sense of the world around me, which I see as fragmented, contradictory, and anxious. I seek to capture the cartoonishness that runs through American society wherein the individual is not only bombarded by an excess of information, choice, and rampant consumerism, but is also in a constant state of wanting more. Flotsam from this perpetual cycle of consumer pop culture is woven into my paintings, embedding the figures in an intricate web that suggests the non-stop movement of the mind, as well as the depth, complexity, and interconnectedness of life. Music, cartoons, and dreams are a big influence on my work. I am fascinated with their spatial, temporal and structural components, which I see as analogous to contemporary consciousness. I work primarily with layers of paint and collage that are woven together to create a dense network of relationships ripe with narrative possibilities. By using disparate and often ambiguous imagery, the flow of ideas is disrupted, meaning is subverted, and logic is obfuscated. My work becomes infused with an elusive visual poetry that seeks to inspire viewers to make their own connections based on personal associations.

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