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Part 2 An elegant triptych using glass enamel paint, fired onto float glass. Glass artworks are typically designed to be mounted in a window to allow for light, as to be fully viewed. I wanted to explore using glass as a canvas. Instead of using window light to bring it to life, it has been mounted floating an inch over mirror. This enables light to pass through the translucent paint & bounce back into the piece. Along with giving a three dimensional affect within its reflection. I've aimed to create a contemporary internal glass art work which works beautifully as a single piece - though ideally hung together in order ( ie 1-2-3) as a complete series for balance. Framed in high quality 1.5 inch deep brushed metal affect silver wood, with an aluminium trim mount. Will arrive carefully packed in a custom made wooden crate. Ready to hang onto a strong large screw within a firmly fixed raw plug.
Part 2 An elegant triptych using glass enamel paint, fired onto float glass. Glass artworks are typically designed to be mounted in a window to allow for light, as to be fully viewed. I wanted to explore using glass as a canvas. Instead of using window light to bring it to life, it has been mounted floating an inch over mirror. This enables light to pass through the translucent paint & bounce back into the piece. Along with giving a three dimensional affect within its reflection. I've aimed to create a contemporary internal glass art work which works beautifully as a single piece - though ideally hung together in order ( ie 1-2-3) as a complete series for balance. Framed in high quality 1.5 inch deep brushed metal affect silver wood, with an aluminium trim mount. Will arrive carefully packed in a custom made wooden crate. Ready to hang onto a strong large screw within a firmly fixed raw plug.
Part 2 An elegant triptych using glass enamel paint, fired onto float glass. Glass artworks are typically designed to be mounted in a window to allow for light, as to be fully viewed. I wanted to explore using glass as a canvas. Instead of using window light to bring it to life, it has been mounted floating an inch over mirror. This enables light to pass through the translucent paint & bounce back into the piece. Along with giving a three dimensional affect within its reflection. I've aimed to create a contemporary internal glass art work which works beautifully as a single piece - though ideally hung together in order ( ie 1-2-3) as a complete series for balance. Framed in high quality 1.5 inch deep brushed metal affect silver wood, with an aluminium trim mount. Will arrive carefully packed in a custom made wooden crate. Ready to hang onto a strong large screw within a firmly fixed raw plug.
Part 2 An elegant triptych using glass enamel paint, fired onto float glass. Glass artworks are typically designed to be mounted in a window to allow for light, as to be fully viewed. I wanted to explore using glass as a canvas. Instead of using window light to bring it to life, it has been mounted floating an inch over mirror. This enables light to pass through the translucent paint & bounce back into the piece. Along with giving a three dimensional affect within its reflection. I've aimed to create a contemporary internal glass art work which works beautifully as a single piece - though ideally hung together in order ( ie 1-2-3) as a complete series for balance. Framed in high quality 1.5 inch deep brushed metal affect silver wood, with an aluminium trim mount. Will arrive carefully packed in a custom made wooden crate. Ready to hang onto a strong large screw within a firmly fixed raw plug.
Part 2 An elegant triptych using glass enamel paint, fired onto float glass. Glass artworks are typically designed to be mounted in a window to allow for light, as to be fully viewed. I wanted to explore using glass as a canvas. Instead of using window light to bring it to life, it has been mounted floating an inch over mirror. This enables light to pass through the translucent paint & bounce back into the piece. Along with giving a three dimensional affect within its reflection. I've aimed to create a contemporary internal glass art work which works beautifully as a single piece - though ideally hung together in order ( ie 1-2-3) as a complete series for balance. Framed in high quality 1.5 inch deep brushed metal affect silver wood, with an aluminium trim mount. Will arrive carefully packed in a custom made wooden crate. Ready to hang onto a strong large screw within a firmly fixed raw plug.
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VIEW IN MY ROOM

Glass Triptych Series 1 - Part 2 Painting

Rana K

United Kingdom

Painting, Enamel on Glass

Size: 13 W x 13 H x 1.5 D in

Ships in a Crate

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$630USD

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About The Artwork

Part 2 An elegant triptych using glass enamel paint, fired onto float glass. Glass artworks are typically designed to be mounted in a window to allow for light, as to be fully viewed. I wanted to explore using glass as a canvas. Instead of using window light to bring it to life, it has been mounted floating an inch over mirror. This enables light to pass through the translucent paint & bounce back into the piece. Along with giving a three dimensional affect within its reflection. I've aimed to create a contemporary internal glass art work which works beautifully as a single piece - though ideally hung together in order ( ie 1-2-3) as a complete series for balance. Framed in high quality 1.5 inch deep brushed metal affect silver wood, with an aluminium trim mount. Will arrive carefully packed in a custom made wooden crate. Ready to hang onto a strong large screw within a firmly fixed raw plug.

Details & Dimensions

Multi-paneled Painting:Enamel on Glass

Original:One-of-a-kind Artwork

Size:13 W x 13 H x 1.5 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Rana K
Rana K

United Kingdom

I believe that art is not only seen, but is a felt experience, as does my greatest influence Howard Hodgkin. This is the realm I choose to work in; aiming to represent or re-create a moment, an emotion using paint as a dialogue.The souls complexity is the reason I choose not to title work in a sense that would give a guide to each derived source. I feel this would throw the viewer into an intellectual process, or even worse confine each piece to boundaries. I hope to evoke a response based on emotion not intellect, for each viewer to be moved on any level. If I can create a space for this and paint a moment, then I am achieving my goal. Though like all artists, I shall strive continuously for the perfect piece.

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