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Expressionist Barbara Houwers painted this recent work about love, commitment and good company. This work is painted in impressionistic style and pastel coulours, with spontanious brushstrokes and palet knife traces on the canvas. This canvas is an attractive ready to hang piece in the interior. This Original is back-stapled and the edges are painted, so a frame will not be needed.
In the work of Houwers the main characters just happen to be there in their surrounding space in an intuitive and expressive way leaving much to the imagination, and figure life in a snapshot of all its facets. Sub themes are connectedness, communication and “the things that always come back”. Her technique is striking, with strong lines and expressive gestures.

Houwers paints on the cutting edge of figuration and abstraction. The human being with his luggage, talents and “small suitcases” filled with the present and the past continue to be a recurring theme in her paintings. It also often appears symbolic for universal values and is sometimes a metaphor for sub themes. For example as a pedestal and a symbol of human capital. Also for this reason the work of Houwers is being purchased by many companies and institutions.
www.barbarahouwers.com
Expressionist Barbara Houwers painted this recent work about love, commitment and good company. This work is painted in impressionistic style and pastel coulours, with spontanious brushstrokes and palet knife traces on the canvas. This canvas is an attractive ready to hang piece in the interior. This Original is back-stapled and the edges are painted, so a frame will not be needed.
In the work of Houwers the main characters just happen to be there in their surrounding space in an intuitive and expressive way leaving much to the imagination, and figure life in a snapshot of all its facets. Sub themes are connectedness, communication and “the things that always come back”. Her technique is striking, with strong lines and expressive gestures.

Houwers paints on the cutting edge of figuration and abstraction. The human being with his luggage, talents and “small suitcases” filled with the present and the past continue to be a recurring theme in her paintings. It also often appears symbolic for universal values and is sometimes a metaphor for sub themes. For example as a pedestal and a symbol of human capital. Also for this reason the work of Houwers is being purchased by many companies and institutions.
www.barbarahouwers.com
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Barbara Houwers

Netherlands

Painting, Acrylic on Canvas

Size: 31.5 W x 31.5 H x 0.8 D in

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About The Artwork

Expressionist Barbara Houwers painted this recent work about love, commitment and good company. This work is painted in impressionistic style and pastel coulours, with spontanious brushstrokes and palet knife traces on the canvas. This canvas is an attractive ready to hang piece in the interior. This Original is back-stapled and the edges are painted, so a frame will not be needed. In the work of Houwers the main characters just happen to be there in their surrounding space in an intuitive and expressive way leaving much to the imagination, and figure life in a snapshot of all its facets. Sub themes are connectedness, communication and “the things that always come back”. Her technique is striking, with strong lines and expressive gestures. Houwers paints on the cutting edge of figuration and abstraction. The human being with his luggage, talents and “small suitcases” filled with the present and the past continue to be a recurring theme in her paintings. It also often appears symbolic for universal values and is sometimes a metaphor for sub themes. For example as a pedestal and a symbol of human capital. Also for this reason the work of Houwers is being purchased by many companies and institutions. www.barbarahouwers.com

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 0.8 D in

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Barbara Houwers is a Dutch artist, working in painting, sculpture and 3D-Print. She lives and works in Blaricum (Amsterdam region). Her successful series inspired by themes around the human being have led to many exhibitions and commissions from companies, government and institutions. Barbara’s works can be found both in private and corporate collections and public buildings. Biography Barbara Houwers 25 years as an artist. By Diana Kostman M.A. Artist Barbara Houwers above all became known for her paintings of human figures, mostly painted in subdued earth tones, followed later by more abstract works of art set up in geometrical patterns and sometimes in bright colours as well. More recently three- dimensional works have been created as well as objects designed by 3Dprint technology. This seem a significant breach of style but, as is the case with many artists, this is actually a logical development of Houwers’ basic forms. The human figure dominates Barbara Houwers’ oeuvre. This was already the case in her early autonomous works when she debuted in the early 1990s after her training at the HKU Academy. In her paintings from that period we see mainly stylised and isolated human figures. By combining the human figure with forms and colours, a life-story evolves in which emotions and experiences from that life are expressed. Throughout the 1990s this theme was developed further by adding more human figures to the composition, thereby creating a sense of connection and communication amongst the figures. These works evoke a strong sense of recognition with the viewer. Houwers’ technique widened from traditional painting to a more experimental use of her material. The paintbrush was partly exchanged for a palette knife and next to paint other forms of material were introduced such as sand and synthetic resin. This experimental approach to her material also re-appeared in a series of artworks Houwers was working on at the beginning of the millennium and in which the aspect of space was the dominating factor. In these artworks the human figure was combined with an ‘open’ space, built up from layers of paint, sand and resin. The contemplative element in these works was emphasized by its open character. It literally created space for contemplation. The first steps towards geometry already appeared in the luggage series of 2007 where small cases were added to the human figures as metaphor for experiences gained during the journey of life.

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