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I named this one Hans because there is something vaguely German to me about the colors and pattern. 
The piece was inspired by the traditional art of mandala making, a spiritual and artistic practice shared by cultures from Tibet to Europe and the Americas. I put a new spin on the ancient art by using multiple hues of phosphorescent pigments. I make these nontoxic paints myself and they will glow all night long.  
The glow-in-the-dark composition is a second work of art that is lovely for a room where you want a point of reference in the dark.
I named this one Hans because there is something vaguely German to me about the colors and pattern. 
The piece was inspired by the traditional art of mandala making, a spiritual and artistic practice shared by cultures from Tibet to Europe and the Americas. I put a new spin on the ancient art by using multiple hues of phosphorescent pigments. I make these nontoxic paints myself and they will glow all night long.  
The glow-in-the-dark composition is a second work of art that is lovely for a room where you want a point of reference in the dark.
I named this one Hans because there is something vaguely German to me about the colors and pattern. 
The piece was inspired by the traditional art of mandala making, a spiritual and artistic practice shared by cultures from Tibet to Europe and the Americas. I put a new spin on the ancient art by using multiple hues of phosphorescent pigments. I make these nontoxic paints myself and they will glow all night long.  
The glow-in-the-dark composition is a second work of art that is lovely for a room where you want a point of reference in the dark.
I named this one Hans because there is something vaguely German to me about the colors and pattern. 
The piece was inspired by the traditional art of mandala making, a spiritual and artistic practice shared by cultures from Tibet to Europe and the Americas. I put a new spin on the ancient art by using multiple hues of phosphorescent pigments. I make these nontoxic paints myself and they will glow all night long.  
The glow-in-the-dark composition is a second work of art that is lovely for a room where you want a point of reference in the dark.

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Hans Phosphorescent Mandala Painting

Michele Burns

United States

Painting, Acrylic on Canvas

Size: 20 W x 20 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $350

318 Views

2

Artist Recognition
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ABOUT THE ARTWORK

I named this one Hans because there is something vaguely German to me about the colors and pattern. The piece was inspired by the traditional art of mandala making, a spiritual and artistic practice shared by cultures from Tibet to Europe and the Americas. I put a new spin on the ancient art by using multiple hues of phosphorescent pigments. I make these nontoxic paints myself and they will glow all night long. The glow-in-the-dark composition is a second work of art that is lovely for a room where you want a point of reference in the dark.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

20 W x 20 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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