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Each little organic shape is hand cut from paper then hand stained. They are then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. When the wax is fused into the paper the paper shapes become translucent. In areas where the wax application is thickest there is a subtle golden depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish.

Encaustic (bees wax & damar resin), water media, ink & oil on a 1.5 inch cradled wood panel. Signed, dated and titled on the back. The sides are painted gray.
Each little organic shape is hand cut from paper then hand stained. They are then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. When the wax is fused into the paper the paper shapes become translucent. In areas where the wax application is thickest there is a subtle golden depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish.

Encaustic (bees wax & damar resin), water media, ink & oil on a 1.5 inch cradled wood panel. Signed, dated and titled on the back. The sides are painted gray.
Each little organic shape is hand cut from paper then hand stained. They are then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. When the wax is fused into the paper the paper shapes become translucent. In areas where the wax application is thickest there is a subtle golden depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish.

Encaustic (bees wax & damar resin), water media, ink & oil on a 1.5 inch cradled wood panel. Signed, dated and titled on the back. The sides are painted gray.
Each little organic shape is hand cut from paper then hand stained. They are then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. When the wax is fused into the paper the paper shapes become translucent. In areas where the wax application is thickest there is a subtle golden depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish.

Encaustic (bees wax & damar resin), water media, ink & oil on a 1.5 inch cradled wood panel. Signed, dated and titled on the back. The sides are painted gray.
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Hoopla No. 3 Painting

GINA COCHRAN

United States

Painting, Ink on Wood

Size: 16 W x 16 H x 1.5 D in

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SOLD
Originally listed for $650
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About The Artwork

Each little organic shape is hand cut from paper then hand stained. They are then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. When the wax is fused into the paper the paper shapes become translucent. In areas where the wax application is thickest there is a subtle golden depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish. Encaustic (bees wax & damar resin), water media, ink & oil on a 1.5 inch cradled wood panel. Signed, dated and titled on the back. The sides are painted gray.

Details & Dimensions

Painting:Ink on Wood

Original:One-of-a-kind Artwork

Size:16 W x 16 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Human behavior fascinates me. I have a background in Mental Health Counseling and more recently, Applied Behavior Analysis. What compels us to do the things we do? More importantly, why do we do some things only once and others repeatedly? It’s about taking in whatever is presented to us, processing it in the most functional way for us at that moment, and then responding to the original stimulus. I feel that I approach each step of my work the same way. My work is a visual representation of an emotional response to all of the things I experience on any ordinary day. It comes from a place of resolution, gratitude and ultimately happiness. There’s no deep social or political commentary to my work, nor am I trying to emulate one of the greats or to match your sofa, it’s simply a series of reactions. I work with acrylic, mixed media as well as encaustic.

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