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“Icon of Our Lady of the Don (Eleusa/Umilenie) & Child Jesus with The Old Testament Trinity & the Selected Saints” / ORIGINAL artwork - handmade Icon Painting

Aleksey Kudlay

Russia

Painting, Mary Holy Mother of God Virgin on Wood

Size: 20.5 W x 27.6 H x 1.3 D in

Ships in a Box

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About The Artwork

↓ ↓ ↓ ▲ PAINTING: Wood, “Kovcheg” (cut-back centre portion), “Levkas” (Gesso), “Pavoloka” ( fabric/piece of cloth), Egg Tempera, Gold Leaf/Gilding HANDMADE ICON The Icons look like a real medieval Russian art, written by old masters of the 16th - 17th – centuries. All my paintings are stylized as antiqued and made in the classic technique of old Masters. ▲ Note: The icons have a number of specific features: cracks (“craquelures”); imitation of loss of the “levkas” and the paint layer. A pattern of minute surface cracks (a network of fine cracks) on painted surface. I developed my own unique technique and technology imitation of craquelure, loss of the “levkas” (gesso) and the paint layer. The crack patterns are artificial (handmade). The craquelure varnish was not used for the stylization! The icons are made to appear aged through the use of artificial methods and various techniques. The majority of the Icons, I have created were painted on aged wood, however, at times I have had to resort to the use of boards created and carved with my own hands, and subsequently aged artificially. In particular, this icon board created and carved with my own hands, and subsequently aged artificially. The “kovcheg” (cut-back centre portion) is deep, with two thin connected cut in the reverse side. All Icons are executed in accordance with the canon, iconographic traditions and iconography technique. The traditional iconography basically imitate rare extant icons of the 16th - 17th – centuries. The icons look old-time (old style/16th - 17th – centuries style) and very similar to the original icons of the 16th - 17th – centuries style. Original painting - Unique (One of a kind) Size: (Height) 27,6” x (Width) 20,5”in (70 x 52cm) Ready to hang Includes Certificate of Authenticity, signed by the artist Ships in a cardboard box. This work will ship flat in a sturdy, well-protected cardboard box. Professionally packaged for delivery. (Highly safe packaging with thick cardboard and bubble wrap to protect it.) All pieces are shipped with insurance and tracker worldwide. This artwork will be an excellent gift and will look authentic in both contemporary and traditional interiors. 
This artwork will bring an appeasement into your house your bedroom or living room. The colors of the original paintings may slightly vary from what they appear on computer monitors/mobile screens due to different camera/PC monitor/mobile screen resolution and settings. The image on the screen doesn't reflect all of the beauty and gold glimmer of the actual painting (the original Icon). You have to see the original. Let me know if you have any questions! I will be happy to answer. Thanks for looking! ☛‼️ ••• Description of the main scene of the Icon ••• The icon belongs to the iconographic type known as Tenderness (Eleusa/Umilenie). The centerpiece shows the half-length depiction of the figures of Holy Virgin and the Child looking at each other against a ivory (golden-yellowish - light ochre) background color. The Holy Virgin is shown holding the Infant Christ upon her right hand. The Child presses his cheek against his mother’s face, His face looks upward. The Child’s right hand is stretched forward touching the right shoulder of the Mother of God and His left hand holds the folded scroll. Christ’s legs are not covered with a chiton up to his feet. The Holy Virgin’s look expresses sorrow and prayer for the Son and all the people. The Mother of God is wearing dark cherry brown (brownish red colour/shades of red and brown color) omophorion falling in nice broad folds with golden orange edging. On the shoulder of the Holy Virgin are gold stars, there is a gold star on the forehead. Infant Christ dressed in unusually color clothes – a golden orange himation with an ornamented clavus. The vestments of the Son and of the Mother of God are richly covered with golden assist. THE HALOS AND SOME ELEMENTS OF CLOTHES ARE PAINTED IN GOLD (Gold leaf). The halos are golden with red outlines. The ornamentation of clothes look so lifelike that one can almost feel the tissue of clothes. The austere image of the Mother of God is distinguished by the unusually elongated and symmetrical contours, a long and thin nose, a motionless look of big eyes, raised eyebrows. On the upper border, in the center, represents the Holy Trinity (Old Testament Trinity). At the sides of the image of the Holy Trinity are represented depictions of the half-figures Saints. To the left are the Venerable Sergius of Radonezh and Saint Prince Oleg of Bryansk. To the right are Saint Pantaleon (Panteleimon) and Saint Blessed Grand Prince Igor of Chernigov. On side borders are the figures of the standing Saints. All of them are not shown in frontal position, but turned to the centerpiece, in prayer. On the left, top-down, are the figures of Saint Gregory the Theologian and Apostle Peter. On the right, top-down, are the figures of Saint Nicholas the Wonderworker and Apostle Paul. On the lower border of the icon are shown half-figures of Saint Grand Prince the Pious Alexander Nevsky, the Holy Equal to the Apostles Great Prince Vladimir and Holy Great Martyr Demetrius of Thessaloniki.

Details & Dimensions

Painting:Mary Holy Mother of God Virgin on Wood

Original:One-of-a-kind Artwork

Size:20.5 W x 27.6 H x 1.3 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1951 Moscow, Russia. Alexey haven’t got a formal education in the fine arts but since the early 1970’s he learnt the style of old icon-painter masters. His first icon (wood, canvas, gesso, tempera) was created in 1974. He became a member of the Union of Artists of Russia under the UNESCO International Federation of Artists in 1977 He was honored by being blessed by His Holiness Alexey II the Patriarch of Moscow and all of Russia in January 1995. Since 1996, he was making the icons in a style of late XVIII-XIX century’s masters. But in 1998 he returned to the creation of icons with white background. For this moment he created more than 500 icons, inclusive of over 25 triptych-icons. His icons look old-time and very similar to the original icons of the 16th century. Most works are in private collections in Russia, USA and throughout Europe. His works are placed in Churches, Temples and Monasteries also. The artist-restorer, the member of the Grabar’s Art Conservation Center, Honored Cultured of the Russian Federation, Honored Artist of the Russian Federation, laureate of State prizes, the recognized authotity of the art-restorers world Adolf N. Ovchinnikov says about Alexey's works: “Aleksey Kudlay is the master of popularization of the ancient Russian art who adds his author’s elements there and brings this culture in the everyday life of Russian people.” Another famous restorer, the Chairman of the Collectors’ club of the Russian Cultural Foundation, Honored Cultured of Russia, academician of the Russian Academy of Natural Sciences (RANS), holder of the order of Holy Prince Daniel of Moscow Saveliy V. Yamshikov wrote: “Dear Aleksey, I used to send introductory articles to the previous catalogues of the icons painted by you. I am not in the habit of making a formal reply just for my friends’ pleasure; still then, I could see not only broken concepts in your creative work but sincere effort and purity of spiritual thought in icon painting. I did not accept totally everything that you used to do in your early creative period, but your hankering after the work in this gracious field promised fruitful and mature results.

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