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If happyness gone away Painting

Elizabeth Roman

France

Painting, Acrylic on Canvas

Size: 46.5 W x 35 H x 1.2 D in

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SOLD
Originally listed for $1,560

1008 Views

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ABOUT THE ARTWORK

created this work inspired by the awareness of the immense scope of imperialist reality and the transformations that this has produced in the world through the great revolutions such as in Russia, China or Cuba, a consequence of the uneven expansion of world capitalism. Years later, we can only observe that these revolutions sacrificed their so-called primary objective, the quest for the well-being of the people, to give priority to the defense of the post-revolutionary state. In the end, these revolutions that were to lift the people out of their state of poverty and suffering only led societies like Cuba to a decline in popular democracy, stifled by a brutal (and sometimes bloody) dictatorship, resulting in nothing other than more suffering and misery, the oppression of an entire people deprived of their freedom and their right to free thought and the loss of all hope of claiming happiness

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

46.5 W x 35 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I evolve from several years in the urban art world,  with a special visual style I feel more and more challenged by a socially involved militant mind, I speak it through my artworks which often have a controversial  and provoking context of society with a recurrent social and political message.  My work and my artistic way are strongly influenced by street art, and by its artistic approach  often with a strong social, even political message. In my artistic pursuit, I feel strongly challenged by these street artists and by their militant and committed state of mind. I find great inspiration in their plastic production, which frequently has a strong socially critical content, often ironic and with messages that invite us to reflect and analyze our society. I am inspired by  the street world and the urban culture not included in the traditional world of art. I love the critical connotations of urban art as their social and political aspects submitted to any academic concept. Even if my style continues to evolve I voluntarily place myself far from the art theories and academic discourse. I feel completely comfortable in the universe of urban art because  its roots are  the ordinary world and everyday reality. With a  social message and engaged context I would like to engage people emotionally and awaken collective awareness about society and the world. 

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