IMMIGRATION TO CUBA. The Red Painting

Yury Ermolenko, "IMMIGRATION TO CUBA. The Red", (From the "IMMIGRATION TO CUBA" project, 2012, acrylic on cotton fabric, 4 meta-paintings: "The White", "The Red", "The Green", "The Blue", 145x1600 cm. long each) Havana (Spanish: La Habana) is the capital city, largest city, province, major port, and leading commercial center of Cuba. The city has a population of 2.1 million inhabitants, and it spans a total of 781.58 km2 (301.77 sq mi) – making it the largest city by area, the most populous city, and the fourth largest metropolitan area in the Caribbean region. The city of Havana was founded by the Spanish in the 16th century and due to its strategic location it served as a springboard for the Spanish conquest of the Americas, becoming a stopping point for treasure-laden Spanish galleons returning to Spain. King Philip II of Spain granted Havana the title of City in 1592. Walls as well as forts were built to protect the old city. Contemporary Havana can essentially be described as three cities in one: Old Havana, Vedado and the newer suburban districts. The city extends mostly westward and southward from the bay, which is entered through a narrow inlet and which divides into three main harbors: Mari melena, Guanabacoa and Antares. The sluggish Almendares River traverses the city from south to north, entering the Straits of Florida a few miles west of the bay. Most native settlements became the site of Spanish colonial cities retaining their original Taíno names; the name Habana could be based on the name of a local Taíno chief Habaguanex. Conquistador Diego Velázquez de Cuéllar founded Havana on August 25, 1515, on the southern coast of the island, near the present town of Surgidero de Batabanó, or more likely on the banks of the Mayabeque River close to Playa Mayabeque. All attempts to found a city on Cuba's south coast failed. However, an early map of Cuba drawn in 1514 places the town at the mouth of this river. Between 1514 and 1519 the Spanish established at least two different settlements on the north coast, one of them in La Chorrera, today in the neighborhoods of Vedado and Miramar, next to the Almendares River. The town that became Havana finally originated adjacent to what was then called Puerto de Carenas (literally, "Careening Bay"), in 1519. The quality of this natural bay, which now hosts Havana's harbor, warranted this change of location. Pánfilo de Narváez gave Havana – the sixth town founded by the Spanish on Cuba – its name: San Cristóbal de la Habana. The name combines San Cristóbal, patron saint of Havana. Shortly after the founding of Cuba's first cities, the island served as little more than a base for the Conquista of other lands. Havana began as a trading port, and suffered regular attacks by buccaneers, pirates, and French corsairs. The first attack and resultant burning of the city was by the French corsair Jacques de Sores in 1555. Such attacks convinced the Spanish Crown to fund the construction of the first fortresses in the main cities – not only to counteract the pirates and corsairs, but also to exert more control over commerce with the West Indies, and to limit the extensive contrabando (black market) that had arisen due to the trade restrictions imposed by the Casa de Contratación of Seville (the crown-controlled trading house that held a monopoly on New World trade). Ships from all over the New World carried products first to Havana, in order to be taken by the fleet to Spain. The thousands of ships gathered in the city's bay also fueled Havana's agriculture and manufacture, since they had to be supplied with food, water, and other products needed to traverse the ocean. On December 20, 1592, King Philip II of Spain granted Havana the title of City. Later on, the city would be officially designated as "Key to the New World and Rampart of the West Indies" by the Spanish Crown. In the meantime, efforts to build or improve the defensive infrastructures of the city continued. Havana expanded greatly in the 17th century. New buildings were constructed from the most abundant materials of the island, mainly wood, combining various Iberian architectural styles, as well as borrowing profusely from Canarian characteristics. By the middle of the 18th century Havana had more than seventy thousand inhabitants, and was the third-largest city in the Americas, ranking behind Lima and Mexico City but ahead of Boston and New York. During the 18th century Havana was the most important of the Spanish ports because it had facilities where ships could be refitted and, by 1740, it had become Spain's largest and most active shipyard and only drydock in the New World. The city was captured by the British during the Seven Years' War. The episode began on June 6, 1762, when at dawn, a British fleet, comprising more than 50 ships and a combined force of over 11,000 men of the Royal Navy and Army, sailed into Cuban waters and made an amphibious landing east of Havana. The British immediately opened up trade with their North American and Caribbean colonies, causing a rapid transformation of Cuban society. Less than a year after Havana was seized, the Peace of Paris was signed by the three warring powers thus ending the Seven Years' War. The treaty gave Britain Florida in exchange for the return of the city of Havana on to Spain. After regaining the city, the Spanish transformed Havana into the most heavily fortified city in the Americas. Construction began on what was to become the Fortress of San Carlos de la Cabaña, the third biggest Spanish fortification in the New World after Castillo San Cristóbal (the biggest) and Castillo San Felipe del Morro both in San Juan, Puerto Rico. On January 15, 1796, the remains of Christopher Columbus were transported to the island from Santo Domingo. They rested here until 1898, when they were transferred to Seville's Cathedral, after Spain's loss of Cuba. As trade between Caribbean and North American states increased in the early 19th century, Havana became a flourishing and fashionable city. Havana's theaters featured the most distinguished actors of the age, and prosperity among the burgeoning middle-class led to expensive new classical mansions being erected. During this period Havana became known as the Paris of the Antilles. In 1837, the first railroad was constructed, a 51 km (32 mi) stretch between Havana and Bejucal, which was used for transporting sugar from the valley of Güines to the harbor. With this, Cuba became the fifth country in the world to have a railroad, and the first Spanish-speaking country. Throughout the century, Havana was enriched by the construction of additional cultural facilities, such as the Tacon Teatre, one of the most luxurious in the world. The fact that slavery was legal in Cuba until 1886 led to Southern American interest, including a plan by the Knights of the Golden Circle to create a 'Golden Circle' with a 1200 mile-radius centered on Havana. After the Confederate States of America were defeated in the American Civil War in 1865, many former slaveholders continued to run plantations by moving to Havana. In 1863, the city walls were knocked down so that the metropolis could be enlarged. At the end of the 19th century, Havana witnessed the final moments of Spanish colonialism in the Americas. The 20th century began with Cuba, and therefore Havana, under occupation by the United States. The US occupation officially ended when Tomás Estrada Palma, first president of Cuba, took office on 20 May 1902. During the Republican Period, from 1902 to 1959, the city saw a new era of development. Cuba recovered from the devastation of war to become a well-off country, with the third largest middle class in the hemisphere. Apartment buildings to accommodate the new middle class, as well as mansions for the Cuban tycoons, were built at a fast pace. Numerous luxury hotels, casinos and nightclubs were constructed during the 1930s to serve Havana's burgeoning tourist industry, which greatly benefited by the U.S. prohibition on alcohol from 1920 to 1933. In the 1930s, organized crime characters were not unaware of Havana's nightclub and casino life, and they made their inroads in the city. Santo Trafficante, Jr. took the roulette wheel at the Sans Souci Casino, Meyer Lansky directed the Hotel Habana Riviera, with Lucky Luciano at the Hotel Nacional Casino. At the time, Havana became an exotic capital of appeal and numerous activities ranging from marinas, grand prix car racing, musical shows, and parks. It was also the favorite destination of sex tourists. Havana achieved the title of being the Latin American city with the biggest middle class population per-capita, simultaneously accompanied by gambling and corruption where gangsters and stars were known to mix socially. During this era, Havana was generally producing more revenue than Las Vegas, Nevada, whose boom as a tourist destination began only after Havana's casinos closed in 1959. In 1958, about 300,000 American tourists visited the city. The low hills on which the city lies rise gently from the deep blue waters of the straits. A noteworthy elevation is the 200-foot-high (60-metre) limestone ridge that slopes up from the east and culminates in the heights of La Cabaña and El Morro, the sites of colonial fortifications overlooking the eastern bay. Another notable rise is the hill to the west that is occupied by the University of Havana and the Prince's Castle. Outside the city, higher hills rise on the west and east. Old Havana, (La Habana Vieja in Spanish), contains the core of the original city of Havana, with more than 2,000 hectares it exhibits almost all the Western architectural styles seen in the New World. La Habana Vieja was founded by the Spanish in 1519 in the natural harbor of the Bay of Havana. It became a stopping point for the treasure laden Spanish Galleons on the crossing between the New World and the Old World. In the 17th century it was one of the main shipbuilding centers. The city was built in baroque and neoclassic style. Old Havana is the ancient city formed from the port, the official center and the Plaza de Armas. Alejo Carpentier called Old Havana the place "de las columnas" (of the columns). Old Havana and its fortifications were added to the UNESCO World Heritage List in 1982. The beauty of Old Havana City attracts millions of tourists each year who enjoy its rich old culture and folk music. To the west a newer section, centred on the uptown area known as Vedado, has become the rival of Old Havana for commercial activity and nightlife. The Capitolio Nacional building marks the beginning of Centro Habana, a working-class neighborhood that lies between Vedado and Old Havana. Barrio Chino and the Real Fabrica de Tabacos Partagás, one of Cuba's oldest cigar factories is located in the area. A third Havana is that of the more affluent residential and industrial districts that spread out mostly to the west. Among these is Marianao, one of the newer parts of the city, dating mainly from the 1920s. Miramar, located west of Vedado along the coast, remains Havana's exclusive area; mansions, foreign embassies, diplomatic residences, upscale shops, and facilities for wealthy foreigners are common in the area. Due to Havana's almost five hundred-year existence, the city boasts some of the most diverse styles of architecture in the world, from castles built in the late 16th century to modernist present-day high-rises. Neoclassism was introduced into the city in the 1840s, at the time including Gas public lighting in 1848 and the railroad in 1837. In the second half of the 18th century, sugar and coffee production increased rapidly, which became essential in the development of Havana's most prominent architectural style. Many wealthy Habaneros took their inspiration from the French; this can be seen within the interiors of upper class houses such as the Aldama Palace built in 1844. This is considered the most important neoclassical residential building in Cuba and typifies the design of many houses of this period with portales of neoclassical columns facing open spaces or courtyards. In 1925 Jean-Claude Nicolas Forestier, the head of urban planning in Paris moved to Havana for five years to collaborate with architects and landscape designers. In the master planning of the city his aim was to create a harmonic balance between the classical built form and the tropical landscape. He embraced and connected the city's road networks while accentuating prominent landmarks. His influence has left a huge mark on Havana although many of his ideas were cut short by the great depression in 1929. During the first decades of the 20th century Havana expanded more rapidly than at any time during its history. Great wealth prompted architectural styles to be influenced from abroad. The peak of Neoclassicism came with the construction of the Vedado district (begun in 1859). This area features a number of set back well-proportioned buildings in the Neoclassical style. Riches were brought from the colonialists into and through Havana as it was a key transshipment point between the new world and old world. As a result, Havana was the most heavily fortified city in the Americas. Most examples of early architecture can be seen in military fortifications such as La Fortaleza de San Carlos de la Cabana (1558–1577) designed by Battista Antonelli and the Castillo del Morro (1589–1630). This sits at the entrance of Havana Bay and provides an insight into the supremacy and wealth at that time. Old Havana was also protected by a defensive wall begun in 1674 but had already overgrown its boundaries when it was completed in 1767, becoming the new neighbourhood of Centro Habana. The influence from different styles and cultures can be seen in Havana's colonial architecture, with a diverse range of Moorish architecture, Spanish, Italian, Greek and Roman. The San Carlos and San Ambrosio Seminary (18th century) is a good example of early Spanish influenced architecture. The Havana cathedral (1748–1777) dominating the Plaza de la Catedral (1749) is the best example of Cuban Baroque. Surrounding it are the former palaces of the Count de Casa-Bayona (1720–1746) Marquis de Arcos (1746) and the Marquis de Aguas Claras (1751–1775). The first echoes of the Art Deco movement in Havana started in 1927, in the residential area of Miramar. The Edificio Bacardi, (1930) is thought to be the best example of Art-deco architecture in the city and the first tall Art Deco building as well, followed by the Hotel Nacional de Cuba (1930) and the López Serrano Building in 1932. The FOCSA Building was finished in 1956. The year 1928 marked the beginning of the reaction against the Spanish Renaissance style architecture. Art Deco started in the lush and wealthy suburbs of Miramar, Marianao, and Vedado. The city's eclectic architectural sights begins in Centro Habana. The Central Railway Terminal (1912), and the Museum of the Revolution (1920) are example of Eclectic architecture. Many high-rise office buildings, and apartment complexes, along with some hotels built in the 1950s dramatically altered the skyline. Modernism, therefore, transformed much of the city and is known its individual buildings of high quality rather than its larger key buildings. Examples of the latter are Habana Libre (1958), which before the revolution was the Havana Hilton Hotel and La Rampa movie theater (1955). Famous architects such as Walter Gropius, Richard Neutra and Oscar Niemeyer all passed through the city, while strong influences can be seen in Havana at this time from Le Corbusier and Ludwig Mies van der Rohe. The Edificio Focsa (1956) represents Havana's economic dominance at the time. This 35-story complex was conceived and based on Corbusian ideas of a self-contained city within a city. It contained 400 apartments, garages, a school, a supermarket, and restaurant on the top floor. This was the tallest concrete structure in the world at the time (using no steel frame) and the ultimate symbol of luxury and excess. The Havana Riviera Hotel (1957) designed by Igor B. Polevitzky, a twenty-one-story edifice, when it opened, the Riviera was the largest purpose-built casino-hotel in Cuba or anywhere in the world, outside Las Vegas (the Havana Hilton (1958) surpassed its size a year later). The National Museum of Fine Arts (Museo Nacional de Bellas Artes) is a Fine Arts museum that exhibits Cuban and International art collections. The museum houses one of the largest collections of paintings and sculpture from Latin America and is the largest in the Caribbean region. Under the Cuban Ministry of Culture, it occupies two locations in the vicinity of Havana's Paseo del Prado, these are the Palace of Fine Arts, devoted to Cuban art and the Palace of the Asturian Center, dedicated to universal art. Its artistic heritage is made up of over 45,000 pieces. The Museum of the Revolution (Museo de la Revolución), designed in Havana by Cuban architect Carlos Maruri, and the Belgian Paul Belau, who came up with an eclectic design, harmoniously combines Spanish, French and German architectural elements. The museum was the Presidential Palace in the capital; today, its displays and documents outline Cuba's history from the beginning of the neo-colonial period. The building was the site of the Havana Presidential Palace Attack (1957) by the Directorio Revolucionario Estudiantil. The neo-classical mansion of the Countess of Revilla de Camargo, today it is the Museum of Decorative Arts (Museo de Artes Decorativas), known as the "small French Palace of Havana" built between 1924 and 1927, it was designed in Paris inspired in French Renaissance. The museum has been exhibiting more than 33,000 works dating from the reigns of Louis XV, Louis XVI, and Napoleon III; as well as 16th to 20th century Oriental pieces, among many other treasures. The Museum has ten permanent exhibit halls. Among them are prominent porcelain articles from the factories in Sèvres and Chantilly, France; Meissen, Germany; and Wedgwood, England, as well as Chinese from the Qianlong Emperor period and Japanese from the Imari. The furniture comes from Stéphane Boudin, Jean Henri Riesener and several others. Several museums in Old Havana houses furniture, silverware, pottery, glass and other items from the colonial period. One of these is the Palacio de los Capitanes Generales, where Spanish governors once lived. The Casa de Africa presents another aspect of Cuba's history, it houses a large collection of Afro-Cuban religious artifacts. Other museums in the city include Casa de los Árabes (House of Arabs) and the Casa de Asia (House of Asia) with Middle and Far Eastern collections. Havana's Museo del Automobil has an impressive collection of vehicles dating back to a 1905 Cadillac. While most museums of Havana are situated in Old Havana, few of them can also be found in Vedado. In total, Havana has around 50 museums, including the National Museum of Music; the Museum of Dance and Rum; the Cigar Museum; the Napoleonic, Colonial and Oricha Museums; the Museum of Anthropology; the Ernest Hemingway Museum; the José Martí Monument; the Aircraft Museum (Museo del Aire). There are also museums of Natural Sciences, the City, Archeology, Gold-and-Silverwork, Perfume, Pharmaceuticals, Sports, Numismatics, and Weapons. Facing Havana's Central Park is the baroque Great Theatre of Havana, a prominent theatre built in 1837. It is now home of the National Ballet of Cuba and the International Ballet Festival of Havana, one of the oldest in the New World. The façade of the building is adorned with a stone and marble statue. There are also sculptural pieces by Giuseppe Moretti, representing allegories depicting benevolence, education, music and theatre. The principal theatre is the García Lorca Auditorium, with seats for 1,500 and balconies. Glories of its rich history; the Italian tenor Enrico Caruso sang, the Russian ballerina Anna Pavlova danced, and the French Sarah Bernhardt acted. Other important theatres in the city includes the National Theater of Cuba, housed in a huge modern building located in Plaza de la Revolucion, decorated with works by Cuban artists. The National Theater includes two main theatre stages, the Avellaneda Auditorium and the Covarrubias Auditorium, as well as a smaller theatre workshop space on the ninth floor. The Karl Marx Theater with its large auditorium have a seating capacity of 5,500 spectators, is generally used for concerts and other events, it is also one of the venues for the annual Havana Film. The University of Havana, located in the Vedado section of Havana, was established in 1728 and was regarded as a leading institution of higher learning in the Western Hemisphere. Soon after the Revolution, the university, as well as all other educational institutions, were nationalized. Since then several other universities have opened, like the Higher Learning Polytechnic Institute José Antonio Echeverría where the vast majority of today's Cuban engineers are taught. The Cuban National Ballet School with 4,350 students is one of the largest ballet schools in the world and the most prestigious ballet school in Cuba. Roman Catholics form the largest religious group in Havana. Havana is one of the three Metropolitan sees on the island (the others being Camaguëy and Santiago), with two suffragan bishoprics: Matanzas and Pinar del Río. Its patron saint is San Cristobal (Saint Christopher), to whom the cathedral is devoted. it also has a minor basilica, Basílica Santuario Nacional de Nuestra Señora de la Caridad del Cobre and two other national shrines, Jesús Nazareno del Rescate and San Lázaro (El Rincón). It received papal visits from three successive supreme pontiffs: Pope John Paul II (January 1998), Pope Benedict XVI (March 2012) and Pope Francis (September 2015). Havana, like much of Cuba, has a tropical climate that is tempered by the island's position in the belt of the trade winds and by the warm offshore currents. Under the Köppen climate classification, Havana has a tropical savanna climate that closely borders on a tropical monsoon climate. Average temperatures range from 22 °C (72 °F) in January and February to 28 °C (82 °F) in August. The temperature seldom drops below 10 °C (50 °F).

Painting:Acrylic on Soft (Yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:629.9 W x 57.1 H x 1.2 D in

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