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Inconvenient - part 01 (2015) & part 02 (2022) Painting

Marit Otto

Netherlands

Painting, Acrylic on Canvas

Size: 35.4 W x 27.6 H x 0.4 D in

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About The Artwork

Diptych acrylic on canvas 70 x 90 cm. Slaved for opulence, slaved for new, slaved for cheap, slaved for choice, slaved for plenty. Here we are, the world has no more secrets for us, the Middle Ages long gone, the Golden Age lost its lustre, the VOC no longer glorious, equality carved into the book of law, slavery abolished. Slave to wealth, slave to new, slave to cheap, slave to choice, slave to much. Here they are, the world only knows borders for them, the Middle Ages still seem to exist here, their Golden Age is an iron fist and not over yet by a long shot, and the VOC is still a multinational but with different abbreviations and names, equality only exists among themselves, equal in poverty and equal in lack of opportunities, slavery has been rebranded as under-age and unskilled low-wage labour, we optimistically call it market forces and they are the closing entry. Inconvenient.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:35.4 W x 27.6 H x 0.4 D in

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I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.

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