Instincts and nectar Painting

I start to paint in a realistic manner. During the entire process I abstract, paint over the realistic painting. At the end we just see "remnants" from the original motif . They have something from the fragmental, the lost. At the same time, these “remnants” are part of something bigger and as fragments become all the more important because they are practically the only carriers of the original information. It is a kind of abstraction and selection with which I can show the essence without getting lost in the surface decorations. It a statement when I paint over a work which was actually finished. I destroy my own creation but at the same time I give a chance to that piece.