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Intimation I - Panel 1 of diptych - 12x36 acrylic on canvas
Intimation II - Panel 2 of diptych - 12x12 acrylic on canvas
Intimation Diptych in-situ
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Intimation (Diptych - 12 x 48 total inches) Painting

Rosemary Craig

Painting, Acrylic on Canvas

Size: 36 W x 12 H x 1.5 D in

Ships in a Box

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Originally listed for $595
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About The Artwork

My abstract work is inspired by impressionist studies of things of the natural world. Intimation is one of my studies of fast-moving water over a bed of rocks and it inspired my series My Veils. I love studying water. It can literally take millions of forms, from gentle swirls to destructive tsunamis and so many more. Loving water and living in the Midwest might give the impression my exposure to natural bodies of water is limited. I wholeheartedly disagree with this notion. The rivers, lakes, streams and creeks are everywhere here in the Midwest and I love everything about them. For me they are a necessary part of any landscape, be it a mountainous landscape or a rolling farmscape. When doing these studies, I often research my subject to discover why it occurs in the natural world and how it affects the elements around it. For this one though, I simply imagined myself standing in a shallow, but fast-moving stream as I’ve done many times in my life. I could feel the rocks and sand beneath my feet, but the water was moving so fast, I couldn’t see them. It occurred to me that even though it was just a little, shallow stream, it could camouflage or even hide everything beneath it. I was struck by how we as humans so often attempt to camouflage, or “veil” who we really are, depending on who we are with at any given time. And so, my series My Veils was born. Each panel of this diptych is wired individually. Panel 1 is 12"x 36"x 1.5"; panel 2 is 12"x 12" x1.5". They will ship together in one box and will be accompanied by a certificate of authenticity. If you'd like to see photos of the canvas sides or backs please feel free to contact me with these or any other questions. Best regards, Rosemary Craig

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 12 H x 1.5 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

There are times when I decide what I want to paint and there are times when a thing, person or event tells me I need to paint it. In all of these instances, I’m moved, either positively or negatively by something or someone I’ve encountered in my daily routine. In my effort to put my encounter in perspective, I escape to nature. That involves simply walking out my back door or making a trip to the Grand Canyon. Fortunately, walking out the back door usually does the trick. Because it’s not grand landscapes that speak to me as much as it is the minutia. Those things and happenings in the natural world that oftentimes go unnoticed or are simply not seen with the eye. We as humans, forget we are of nature. So many of humanity’s problems are solved every day in the natural world. Or they never occur in the first place because of the efficiencies of nature and the natural respect found there. I am moved and inspired by every little thing and occurrence in the natural world. From the way all the needles on the giant, columnar white pine in our backyard move as one in the winter wind, to the way fast-moving water in a shallow stream hides everything beneath it. Just in these two examples, there are so many lessons for humans, and so many paintings. My medium, style and technique are the perfect tools or partners for me to express the similarities between nature and humanity. When I begin a painting, I always have at least a vague idea of what I want to happen on the canvas, but every time without fail, nature is a contributor. The paint and the surface “play” and make changes of their own. Sometimes I’ll see something unplanned but extraordinary happening and I’ll encourage the play to continue or I’ll see it needs to stop overworking itself and bring the play to an end. In all cases, the medium, surface and I are co-creators of the work. The partnership I feel with the natural world around me extends into the work itself. I consider the work a kind of translation. With each piece I try to express some part of a lesson I’ve learned or realized from the natural world around me. The lessons are there for all of us, every day. Sometimes we just need a little help or encouragement to hear and see them.

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