It Used to Be Minnie Mouse Print

These works deals with the already dead painting, when the political becomes kitsch and art wonders of its own necessity. The horror, our reaction toward the wordless abyss is always there. Painting has a quality to absorb the horror and refine it so easily, that one can hang the horror on the kitchen's wall. In these B-paintings, as B-Movies are for movies, there is an attempt to test the boundaries of the repulsive and menace painting in order to make the observer look straight in the eyes of the "Unheimlich". The painting is done without photographic image as a way to pump interior images and accidental images to create meaningless and meaningful combinations.