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Jake and Elwood Series #2 'Everybody Needs Somebody to Love' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 48 H x 0 D in

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We're so glad to see so many of you lovely people here tonight And we would especially like to welcome all the Representatives of Illinois' Law Enforcement Community Who have chosen to join us here in The Palace Hotel Ballroom at this time We do sincerely hope you'll all enjoy the show And please remember people, that no matter who you are And what you do to live, thrive and survive There are still some things that make us all the same You, me, them, everybody, everybody Everybody needs somebody Everybody needs somebody to love (Someone to love) Sweetheart to miss (Sweetheart to miss) Sugar to kiss (Sugar to kiss) I need you, you, you I need you, you, you I need you, you, you In the morning I need you, you, you When my soul's on fire (I need you, you, you) Sometimes I feel I feel a little sad inside When my baby mistreats me I never, never, never have a place to hide I need you Sometimes I feel I feel a little sad inside When my baby mistreats me I never, never, never have a place to hide I need you, you, you I need you, you, you I need you, you, you I need you, you, you I need you You know people when you do find that somebody Hold that woman, hold that man Love him, please him, squeeze her, please her Hold, squeeze and please that person, give 'em all your love Signify your feelings with every gentle caress Because it's so important to have that special somebody To hold, kiss, miss, squeeze and please Everybody needs somebody Everybody needs somebody to love (Everybody) Someone to love (Needs somebody) Sweetheart to miss Sugar to kiss I need you, you, you I need you, you, you I need you, you, you I need you, you, you I need you, you, you I need you, you, you I need you, you, you I need you, you, you Everybody needs somebody to love I need you, you, you I need you, you, you I need you, you, you I need you ‘Everybody Needs Somebody to Love’ by The Blues Brothers Songwriters: Bert Berns / Jerry Wexler / Solomon V Sr Burke "Everybody Needs Somebody to Love" is a song written by Bert Berns, Solomon Burke and Jerry Wexler, and originally recorded by Solomon Burke under the production of Bert Berns at Atlantic Records in 1964. Burke's version charted in 1964, but missed the US top 40, peaking at number 58. Wilson Pickett covered the song in 1966, and his version (which explicitly mentions Solomon Burke in the opening section) made it to #29 pop, and #19 R&B in early 1967. Other notable versions of "Everybody Needs Somebody to Love" were recorded by The Rolling Stones, Jerry Garcia Band, and The Blues Brothers. The song is ranked number 429 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time. On May 28, 1964, Burke recorded "Everybody Needs Somebody to Love" (Atlantic 2241), written by Burke (but also credited to Bert Berns and Jerry Wexler), which was Burke's most prominent bid for an enduring soul standard. Burke claims he was the sole writer on the song but was talked into sharing credit by Wexler and Berns. In an interview Burke recalled the song's origins: "I used to do it in church when I was a kid and it was a march for the offering. We would play it with tubas, trombones and the big bass drum and it sounded really joyful. I played it to Jerry Wexler and Bert Berns, who thought that it was too fast, and had the wrong tempo." In August 2008, Burke recalled that he had hired musicians from Charlotte, North Carolina, to play at a gig in Long Island and he drafted them in to play the instrumental riff on "Everybody Needs Somebody to Love". Burke described the recording: "Got the band cooking, get a bit of echo, we went through it, came back out, said to Jerry [Wexler], 'Whaddya think?' He said, 'Too fast. Doesn't have any meaning.' (Engineer) Tommy (Dowd) says, 'What can we lose? His band's here, let's just cut it.'" In this song, Burke employs the style of a black preacher, in "which he begins by delivering his message in a style of a sermon, and offering salvation". Dave Marsh explains that in this song, "the porcine, gilt-fingered lay preacher testifies from the top but what you ought to hear is writ large between the lines, especially in the stentorian opening sermon. That is, when Burke sings "[There's a song I sing, and I believe] If everybody was to sing this song, it could save the whole world.” The Blues Brothers are an American blues and soul revivalist band founded in 1978 by comedians Dan Aykroyd and John Belushias part of a musical sketch on Saturday Night Live. Belushi and Aykroyd fronted the band, in character, respectively, as lead vocalist 'Joliet' Jake Blues and harmonica player/vocalist Elwood Blues. The band was composed of well-known musicians, and debuted as the musical guest in a 1978 episode of Saturday Night Live, opening the show performing "Hey Bartender", and later "Soul Man". In 1978, the band released their debut album, Briefcase Full of Blues, and opened for the Grateful Dead at the closing of Winterland Arena in San Francisco. They gained further notoriety after spawning a Hollywood comedy film in 1980, The Blues Brothers. After Belushi's death in 1982, the Blues Brothers continued to perform with a rotation of guest singers and other band members. The band reformed in 1988 for a world tour and again in 1998 for a sequel film, Blues Brothers 2000. The Blues Brothers is a 1980 American musical comedy film directed by John Landis. It stars John Belushi as 'Joliet' Jake Blues and Dan Aykroyd as his brother Elwood, characters developed from the recurring musical sketch "The Blues Brothers" on NBCvariety series Saturday Night Live. The film is set in and around Chicago, Illinois, where it was filmed, and the screenplay was written by Aykroyd and Landis. It features musical numbers by rhythm and blues (R&B), soul, and blues singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles, Chaka Khan, and John Lee Hooker. It features non-musical supporting performances by Carrie Fisher, Henry Gibson, Charles Napier and John Candy. The story is a tale of redemption for paroled convict Jake and his blood brother Elwood, who set out on 'a mission from God' to save from foreclosure the Catholic orphanage in which they were raised. To do so, they must reunite their R&B band and organize a performance to earn $5,000 needed to pay the orphanage's property tax bill. Along the way, they are targeted by a homicidal 'mystery woman', Neo-Nazis, and a country and western band—all while being relentlessly pursued by the police. Universal Studios, which had won the bidding war for the film, was hoping to take advantage of Belushi's popularity in the wake of Saturday Night Live, the film Animal House, and The Blues Brothers' musical success; it soon found itself unable to control production costs. The start of filming was delayed when Aykroyd, new to film screenwriting, took six months to deliver a long and unconventional script that Landis had to rewrite before production, which began without a final budget. On location in Chicago, Belushi's partying and drug use caused lengthy and costly delays that, along with the destructive car chases depicted onscreen, made the final film one of the most expensive comedies ever produced. Concerns that the film would fail limited its initial bookings to less than half of those a film of its magnitude normally received. Released in the United States on June 20, 1980, it received mostly positive reviews. It earned just under $5 million in its opening weekend and grossed over $115 million in theaters worldwide before its release on home video. It has become a cult film, spawning the sequel Blues Brothers 2000 (1998), which was a critical and commercial failure. In 2020, the film was selected for preservation in the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant” Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 0 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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