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An original piece from the series “Small fish”, oil  on canvas, 30 x 20 cm.

I open my eyes underwater. The contours of objects are blurred. The contrast between the colors is softened by a veil that makes everything more uniform. The refraction of the light is influenced by the ripples in the surface of the sea. Flashes of light dance on things, concentrating and dispersing, giving the surface of the objects it stands on the impression of velvet. The fish move slowly among the seaweed, all things appear together, faded and dissolved into one another.

Summary of features:
Artist: 				Federico Cortese
Title: 				Jellyfish
Quantity: 			1
Subject: 			animals
Conditions: 			excellent
Medium & materials: 		oil on cotton canvas (fine-grained)
Dimensions: 			30 x 20 cm (11.8 x 7.9 in)
Thickness of the canvas: 	2 cm
Finishing: 			protective gloss varnish (transparent mastic paint)
Location and year created: 	Turin, Italy - 2007
Certificate of Authenticity: 	included, with signature of the artist on photograph 
Edges of the canvas:		painted with a uniform color
				(the canvas can be hanged without frame)
Signed: 			on the back
An original piece from the series “Small fish”, oil  on canvas, 30 x 20 cm.

I open my eyes underwater. The contours of objects are blurred. The contrast between the colors is softened by a veil that makes everything more uniform. The refraction of the light is influenced by the ripples in the surface of the sea. Flashes of light dance on things, concentrating and dispersing, giving the surface of the objects it stands on the impression of velvet. The fish move slowly among the seaweed, all things appear together, faded and dissolved into one another.

Summary of features:
Artist: 				Federico Cortese
Title: 				Jellyfish
Quantity: 			1
Subject: 			animals
Conditions: 			excellent
Medium & materials: 		oil on cotton canvas (fine-grained)
Dimensions: 			30 x 20 cm (11.8 x 7.9 in)
Thickness of the canvas: 	2 cm
Finishing: 			protective gloss varnish (transparent mastic paint)
Location and year created: 	Turin, Italy - 2007
Certificate of Authenticity: 	included, with signature of the artist on photograph 
Edges of the canvas:		painted with a uniform color
				(the canvas can be hanged without frame)
Signed: 			on the back
An original piece from the series “Small fish”, oil  on canvas, 30 x 20 cm.

I open my eyes underwater. The contours of objects are blurred. The contrast between the colors is softened by a veil that makes everything more uniform. The refraction of the light is influenced by the ripples in the surface of the sea. Flashes of light dance on things, concentrating and dispersing, giving the surface of the objects it stands on the impression of velvet. The fish move slowly among the seaweed, all things appear together, faded and dissolved into one another.

Summary of features:
Artist: 				Federico Cortese
Title: 				Jellyfish
Quantity: 			1
Subject: 			animals
Conditions: 			excellent
Medium & materials: 		oil on cotton canvas (fine-grained)
Dimensions: 			30 x 20 cm (11.8 x 7.9 in)
Thickness of the canvas: 	2 cm
Finishing: 			protective gloss varnish (transparent mastic paint)
Location and year created: 	Turin, Italy - 2007
Certificate of Authenticity: 	included, with signature of the artist on photograph 
Edges of the canvas:		painted with a uniform color
				(the canvas can be hanged without frame)
Signed: 			on the back
An original piece from the series “Small fish”, oil  on canvas, 30 x 20 cm.

I open my eyes underwater. The contours of objects are blurred. The contrast between the colors is softened by a veil that makes everything more uniform. The refraction of the light is influenced by the ripples in the surface of the sea. Flashes of light dance on things, concentrating and dispersing, giving the surface of the objects it stands on the impression of velvet. The fish move slowly among the seaweed, all things appear together, faded and dissolved into one another.

Summary of features:
Artist: 				Federico Cortese
Title: 				Jellyfish
Quantity: 			1
Subject: 			animals
Conditions: 			excellent
Medium & materials: 		oil on cotton canvas (fine-grained)
Dimensions: 			30 x 20 cm (11.8 x 7.9 in)
Thickness of the canvas: 	2 cm
Finishing: 			protective gloss varnish (transparent mastic paint)
Location and year created: 	Turin, Italy - 2007
Certificate of Authenticity: 	included, with signature of the artist on photograph 
Edges of the canvas:		painted with a uniform color
				(the canvas can be hanged without frame)
Signed: 			on the back
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VIEW IN MY ROOM

Jellyfish Painting

Federico Cortese

Italy

Painting, Oil on Canvas

Size: 11.8 W x 7.9 H x 0.4 D in

Ships in a Box

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SOLD
Originally listed for $270
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3356 Views
32

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About The Artwork

An original piece from the series “Small fish”, oil on canvas, 30 x 20 cm. I open my eyes underwater. The contours of objects are blurred. The contrast between the colors is softened by a veil that makes everything more uniform. The refraction of the light is influenced by the ripples in the surface of the sea. Flashes of light dance on things, concentrating and dispersing, giving the surface of the objects it stands on the impression of velvet. The fish move slowly among the seaweed, all things appear together, faded and dissolved into one another. Summary of features: Artist: Federico Cortese Title: Jellyfish Quantity: 1 Subject: animals Conditions: excellent Medium & materials: oil on cotton canvas (fine-grained) Dimensions: 30 x 20 cm (11.8 x 7.9 in) Thickness of the canvas: 2 cm Finishing: protective gloss varnish (transparent mastic paint) Location and year created: Turin, Italy - 2007 Certificate of Authenticity: included, with signature of the artist on photograph Edges of the canvas: painted with a uniform color (the canvas can be hanged without frame) Signed: on the back

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 7.9 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I work within my home. My studio is a room of the house in which I live. In this relatively small space are accumulated all the materials and equipment I need to draw and paint, but in a certain sense also the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colors, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, in somehow). A great source of ideas are books and music, and of course the PC. The graphics programs and virtual modeling programs have become over the years a valuable support, but obviously the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my own travels, all stored on the computer). It’s a small microcosm closed in on itself, rather impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the suggestions of the real world were allowed to enter here only after being filtered and digested, only after it has been already turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter. In my artistic research I've always been attracted to all that is sortable, classifiable. Perhaps this attitude stems from a primordial insecurity, and perhaps the illusion of putting order into chaos eases this concern. To start this game is sufficient to identify a subject that lends itself to variations, and the game consists precisely in identifying the rules that form the basis of possible changes. It 'a little like discovering a new language and trying to decipher the syntax, grammar, exceptions. With these assumptions, it is easy to see that the subjects of this research can be the most different and in fact my designs ranging from butterfly collections to herbaria, from ancient bestiaries to manuals of anatomy, maps, human faces, hands, pornography, flags ... They are all languages having their own vocabulary, and my attempt is to isolate it and reinvent it, trying to generate new meanings. Consider for example a road map or a map. They are born with a practical, precise purpose.

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