VIEW IN MY ROOM
Spain
Painting, Oil on Canvas
Size: 47 W x 38 H x 0.8 D in
Ships in a Tube
According to legends coming from different corners of our world, it is said that at some point millennia ago, entities that did not belong to our Earth entered and settled in our planet, and that the native species have been interbreeding with that other synthetic source ever since. As depicted on this piece, which is one of the earliest paintings from Kiskeia’s series “Transforming the Earth grid”, it is also said that these alien energies first took cover underground and were gradually emerging to the surface, progressively gaining more and more physical space both by colonizing the body of the Earth and the body, mind and spirit of its inhabitants..
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:47 W x 38 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Born in the Dominican Republic, raised in different South American countries, Kiskeia Mendoza García has Colombian roots and is currently based in Spain. Her artistic work is a vivid rendering of a wide array of animistic information that rises inwardly with a ruthless urge to be expressed on the outside, and that propelled her to become a self-taught painter. Her unique painting language serves as a physical life force to the immaterial sentience of the supernatural so that it can take animated and alive forms through the artist’s instinctive brush strokes, which come off as a direct invitation from nature itself reminding us that our perception abilities go far beyond our five senses. While Kiskeia’s forms are inspired by abstract conceptions or actual natural figures coming from the four corners of the world, there is a connotation which is common to all her paintings and that is more specifically related to a knowledge that is inherent and still commonly held by some indigenous peoples: That not only humans, but also other animals, as well as plants, rocks, rivers, mountains and other entities have their own consciousness and memory bank, and that all of them can be energetically and physically interlaced, transmuted and regenerated. Hence, that trendy motto of “connecting with nature” acquires a greater, deeper and a much more transcendental perspective in Kiskeia’s compositions.
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