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Painting, Oil on Wood
Size: 45.6 W x 35.8 H x 1.2 D in
Ships in a Crate
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I sometimes don't think too much when drawing. In some cases, useless sensibility makes the picture worse. It focused only on simple but obvious movements and was unpredictable. Because the surface is wood, not canvas, there is no cushion or reaction, so the lines have a sharp sensibility. I wonder what color to put next to green. It was painted with a very soft, finely woven cotton fabric for a variety of textures. The colored surface reminds us of Earth, Earth, Light and Air. As usual, the same scene came to mind. As is well known, the Greek philosopher Heraclitus before Socrates pointed out that you cannot immerse your feet in the same river twice. Through this work, I wanted to inspire energy and enthusiasm and at the same time give lyrical stability.
Painting:Oil on Wood
Size:45.6 W x 35.8 H x 1.2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
" Noble simplicity and Great silence imply history and existence. I'm constantly digging for that quiet place. " I was born in Seoul and have loved drawing since I was a child, so I honed my skills in representation, perspective and depiction for a long time. I majored in Western painting at Sungshin Women's University in Korea and went to graduate school to specialize in painting. For two years, I imitated the light of Post-Impressionism and gradually developed into abstract painting. While attending graduate school, I copied or studied Bonnard, Monet, Kandinsky, and Bartok (music). Then, I am convinced that I have to go with pure formative beauty until now, and as a philosophical approach, I am working with a baroque exaggeration and continuity as well as an exploration of what human play is fundamentally. I want to talk about human freedom with tension orchestrated around a few bold actions while being conscious of off-screen. The gesture of my brush in the painting is a part of my baroque taste, as if one day, I painted it as if I was longing for a dramatic connection between the past and the current event. In the middle, I came to associate a landscape with clarity and boundaries, and the landscape tried to become a piece of music by arranging and connecting accumulated memories on a flat surface with colors. https://www.lydia-lee.com/
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