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Detailed parts of the picture, pastels and oil paintings on wooden boards
Detailed parts of the picture, using oil paintings and conte as objects on a wooden board
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Just thinking about green Painting

Lydia Lee

South Korea

Painting, Oil on Wood

Size: 45.6 W x 35.8 H x 1.2 D in

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308 Views
63

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

I sometimes don't think too much when drawing. In some cases, useless sensibility makes the picture worse. It focused only on simple but obvious movements and was unpredictable. Because the surface is wood, not canvas, there is no cushion or reaction, so the lines have a sharp sensibility. I wonder what color to put next to green. It was painted with a very soft, finely woven cotton fabric for a variety of textures. The colored surface reminds us of Earth, Earth, Light and Air. As usual, the same scene came to mind. As is well known, the Greek philosopher Heraclitus before Socrates pointed out that you cannot immerse your feet in the same river twice. Through this work, I wanted to inspire energy and enthusiasm and at the same time give lyrical stability.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:45.6 W x 35.8 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

" Noble simplicity and Great silence imply history and existence. I'm constantly digging for that quiet place. " I was born in Seoul and have loved drawing since I was a child, so I honed my skills in representation, perspective and depiction for a long time. I majored in Western painting at Sungshin Women's University in Korea and went to graduate school to specialize in painting. For two years, I imitated the light of Post-Impressionism and gradually developed into abstract painting. While attending graduate school, I copied or studied Bonnard, Monet, Kandinsky, and Bartok (music). Then, I am convinced that I have to go with pure formative beauty until now, and as a philosophical approach, I am working with a baroque exaggeration and continuity as well as an exploration of what human play is fundamentally. I want to talk about human freedom with tension orchestrated around a few bold actions while being conscious of off-screen. The gesture of my brush in the painting is a part of my baroque taste, as if one day, I painted it as if I was longing for a dramatic connection between the past and the current event. In the middle, I came to associate a landscape with clarity and boundaries, and the landscape tried to become a piece of music by arranging and connecting accumulated memories on a flat surface with colors. https://www.lydia-lee.com/

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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