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Size: 74.8 W x 74.8 H x 2 D in
Ships in a Crate
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KALóS is a piece inspired by the original called Kaleidoscope, but with the difference that KALóS is made on MDF panel and it is one of the largest pieces in the series. The composition of KALóS has the characteristic that its main design is inside a circle and it lies on between two solid rectangles that cover the entire surface. The imaginary border that generates with the dividing line formed between the two colors of these rectangles, at the same time it intersects with the circle that remains above them, generating the sensation of hyperdimensionality, and turning the circle into a kind of window or hole where the figure formed by the different planes and lines is trapped in. Kaleidoscope series contains pieces on canvas, and MDF panel in various shapes and formats, especially large ones, and in fact, with this series I completely define one of my main characteristics as an artist, using only large formats to make my artwork. In this series I try to emulate in a metaphorical way, the effect of “the infinite”, and because the figures and shapes created by this cylinder are pure geometry; they inevitable invite me to unleash the imagination and create my own versions of these figures. Another central aspect to build this series is the Kaleidoscope´s structural and architectural analysis; and by naming my pieces after its components I contribute to give it a sense of permanence, turning the ephemeral into a permanent concept. In addition to the kaleidoscope structural aspect; it is the visual effects produced by the mirrors and the internal objects that really push me to give life to pieces that conceptually contain the same visual hyperdimensional language that the eye captures through the device's hole; shapes and figures with saturated colors that sometimes cannot be understood but at the same time they move our emotions due to their unique and whimsical appearance. One characteristic that identifies my work no matter the subjet matter and theme, is the use of monochromatic and flat backgrounds in the paintings, which place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimentional possibilities, and that creates a paradox that intensifies, while the paintings are full of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up a spatial and formal ambiguity which I find exiting. KALóS No.3 (MDF panel of 190 cm x 190 x 5cm width and 18 kg of weight). Depending of the surface it hangs, due the artworks weight and size a special hanging system will be needed.
Painting:Airbrush on Wood
Size:74.8 W x 74.8 H x 2 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Mexico.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
I am an abstract artist with a passion for minimalism and expressionism and it is through my work that I express what I cannot say in words. If I had the ability and eloquence to express its meaning, possibly I would not be a plastic artist but a writer of science fiction novels, although what I can say is everything that inspires and drives me to create what I do, I am passionate about geometry, structural engineering, modern architecture, functionalism, brutalism and deconstructivism, modernist furniture, textile, automotive, aeronautics and nautical design. Since I was a child I have had contact with popular arts, mainly "indigenous art", its simple designs but full of spiritual symbolism and its colors transport me to intangible places where my imagination unleashes. My work is the result of all this, perhaps for that reason I consider that it has a deep decorative vocation, however behind it there is an exhaustive research work through which I satisfy my intellectual need to justify it and support my ideas, although at the end what matters the least to me is whether the viewer understands it or can explain it academically, on the contrary, what matters most to me is how it impacts their senses and emotions.
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