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'Knife Boat' (acrylic on canvas board) was created in my last year of study. During this time my paintings were a mash up of juxtaposed and unusual imagery that originated from earlier collages I had created out of National Geographic cut-outs, photographs, retro matchbox labels, early Soviet propaganda posters and other pre-digital posters from Eastern Europe. These resources were referred to directly as I painted. The quirky compositions and odd combinations of imagery reference society's clichéd oppositions between life and death, good and evil, and peace and violence. They also contain the personal and anecdotal; 'inside' jokes, visual pranks, tongue-in-cheek humor and remembered comical experiences. 

'Knife Boat' is not intended to be taken too seriously, but rather to provoke a little dark, quirky and edgy humor amongst the people that view it.

However, regardless of my own referents and preoccupations, these works may generate different meanings and associations for the individual viewer; and this is as it should be.
'Knife Boat' (acrylic on canvas board) was created in my last year of study. During this time my paintings were a mash up of juxtaposed and unusual imagery that originated from earlier collages I had created out of National Geographic cut-outs, photographs, retro matchbox labels, early Soviet propaganda posters and other pre-digital posters from Eastern Europe. These resources were referred to directly as I painted. The quirky compositions and odd combinations of imagery reference society's clichéd oppositions between life and death, good and evil, and peace and violence. They also contain the personal and anecdotal; 'inside' jokes, visual pranks, tongue-in-cheek humor and remembered comical experiences. 

'Knife Boat' is not intended to be taken too seriously, but rather to provoke a little dark, quirky and edgy humor amongst the people that view it.

However, regardless of my own referents and preoccupations, these works may generate different meanings and associations for the individual viewer; and this is as it should be.
'Knife Boat' (acrylic on canvas board) was created in my last year of study. During this time my paintings were a mash up of juxtaposed and unusual imagery that originated from earlier collages I had created out of National Geographic cut-outs, photographs, retro matchbox labels, early Soviet propaganda posters and other pre-digital posters from Eastern Europe. These resources were referred to directly as I painted. The quirky compositions and odd combinations of imagery reference society's clichéd oppositions between life and death, good and evil, and peace and violence. They also contain the personal and anecdotal; 'inside' jokes, visual pranks, tongue-in-cheek humor and remembered comical experiences. 

'Knife Boat' is not intended to be taken too seriously, but rather to provoke a little dark, quirky and edgy humor amongst the people that view it.

However, regardless of my own referents and preoccupations, these works may generate different meanings and associations for the individual viewer; and this is as it should be.
'Knife Boat' (acrylic on canvas board) was created in my last year of study. During this time my paintings were a mash up of juxtaposed and unusual imagery that originated from earlier collages I had created out of National Geographic cut-outs, photographs, retro matchbox labels, early Soviet propaganda posters and other pre-digital posters from Eastern Europe. These resources were referred to directly as I painted. The quirky compositions and odd combinations of imagery reference society's clichéd oppositions between life and death, good and evil, and peace and violence. They also contain the personal and anecdotal; 'inside' jokes, visual pranks, tongue-in-cheek humor and remembered comical experiences. 

'Knife Boat' is not intended to be taken too seriously, but rather to provoke a little dark, quirky and edgy humor amongst the people that view it.

However, regardless of my own referents and preoccupations, these works may generate different meanings and associations for the individual viewer; and this is as it should be.

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Knife Boat Painting

Kristina Berends

New Zealand

Painting, Acrylic on Canvas

Size: 9 W x 6.9 H x 0.1 D in

Ships in a Box

SOLD
Originally listed for $520

72 Views

2

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ABOUT THE ARTWORK

'Knife Boat' (acrylic on canvas board) was created in my last year of study. During this time my paintings were a mash up of juxtaposed and unusual imagery that originated from earlier collages I had created out of National Geographic cut-outs, photographs, retro matchbox labels, early Soviet propaganda posters and other pre-digital posters from Eastern Europe. These resources were referred to directly as I painted. The quirky compositions and odd combinations of imagery reference society's clichéd oppositions between life and death, good and evil, and peace and violence. They also contain the personal and anecdotal; 'inside' jokes, visual pranks, tongue-in-cheek humor and remembered comical experiences. 'Knife Boat' is not intended to be taken too seriously, but rather to provoke a little dark, quirky and edgy humor amongst the people that view it. However, regardless of my own referents and preoccupations, these works may generate different meanings and associations for the individual viewer; and this is as it should be.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

9 W x 6.9 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kristina Berends (BDVA) is fine artist based in Auckland, New Zealand. Her practice explores the expressive and connotative power of several combined forces: Surrealism, Photo Realism, Religious Symbolism, Graphic Design and Tattoo Art. Each painting is influenced by her personal interest in Christianity, tattoo imagery, tongue-in-cheek humor, collaging techniques and Salvador Dali’s concept of the ‘Paranoiac-critical’ method. The overall function of this work relates to the modern-day issues of self discovery, self expression, identity and freedom of speech. One theoretical context in particular stems from the social debates and concerns regarding the transformation of Christian Religious Symbolism throughout history and the stereotypical perceptions attached to these symbols when they are integrated into contemporary fine art. It is here within this contentious territory that Berends’ work references her opinions and beliefs in relation to what she calls ‘socio-religious hypocrisy.’ The juxtaposed and unusual imagery originate from pre-planned collages created out of National Geographic cut-outs, printed photographs, as well as influences from old school matchbox labels, early soviet propaganda posters and pre-digital posters from Eastern Europe. These resources are referred to directly as she paints, endeavoring to exactly recreate the details of the source images. The quirky compositions and odd combinations of imagery are intended to reflect the clichéd contrasts between life and death, good and evil, peace and violence, as well as personalized aspects such as inside jokes, pranks and comical experiences. Berends enjoys noticing the quirks of the human experience and references these in a highly personal way, thereby instilling a subtle autobiographical quality to her work. The meticulous and highly detailed images are painstakingly rendered using acrylic on board to achieve optimal accuracy and precision. She states, “My goal in painting is to portray the normal as abnormal, the usual as unusual and the plain as plainly insane.”

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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