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LA GRANDE TRAVERSEE 2 Painting

Alain Rouschmeyer

France

Painting, Acrylic on Canvas

Size: 31.5 W x 31.5 H x 0.8 D in

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$4,054

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ABOUT THE ARTWORK

Acrylic on canvas - ready to hang - UV varnished 80 x 80 shipped in a box with certificate of authenticity, certificate of international deposit and certificate of quotation. Alain Rouschmeyer is a certified professional artist and quoted i-CAC 1st prize at the collective exhibition of Aix Les Bains 2022 The work represents the crossing of the strike of the Mont St Michel by a group of people accompanied by a guide. By keeping my distance I was able to observe the perspective of this singular landscape and translate, under the slightly windy effect, a very particular coloring.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

31.5 W x 31.5 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Look, observe, feel and imagine, as if to better perceive things in life and everyday life. The artist from an architectural universe never stops understanding and allowing himself to be seduced by the human journey in given spaces with this alternation of place and posture. The simplicity of a pose that becomes complicit in a space or a space that sublimates the presence of a passage. Like a love story, a particular attitude or a body whose meanings are sometimes unknown. Interpret, script, as if to better define fields of the possible between interior and exterior. This dimension which challenges the inside and the outside, the self and the others, order and disorder, fullness and emptiness or even image and history. These opposites that leave marks and determine how we perceive them. The artist plays with the decor, blurring it as well as sublimating it. Presence or absence as if to give free rein to the imagination of a short one-act story or a three-part triptych. This figurative waltz is enriched by the sketch of a stolen moment, sometimes supported by symbolic graphics that redefine the limits of these opposites to reveal a distinctive evidence. Like an exacerbated passion, the composition is an integral part of his work and complicit in making the subject live in its medium by involving it in its format. Like unfinished lace, between classicism and timelessness, we are invited to appropriate living spaces linked to our walks.

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